One of Hortense Mitchell Acton’s Callot Soeurs gowns in the Camera Verde of Villa La Pietra. The gold and silver lace at the neck, the apron skirt, and the five metallic rosettes across the chest recall the forms of a Gothic cathedral. The sleeves are made of metallic lace, now oxidized. PHOTOGRAPHS BY PARI DUKOVIC

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PortfolioMARCH 23, 2015 ISSUE

Twenty-One Dresses

BY JESSAMYN HATCHER AND PARI DUKOVIC

A number of years ago, a young painting conservator entered a forgotten storeroom in a fifteenth-century Florentine villa and stumbled on a pile of Louis Vuitton steamer trunks. She opened them and discovered a collection of exquisite dresses, the kind usually seen only in movies, or inside protective vitrines in museums. Closer inspection revealed silk labels, hand-woven with the name “Callot Soeurs.” Continue reading →