We’ve had friends and family members living in Atlanta for close to 30 years, and although I knew it was the hub of important aspects of American history, it never occurred to me to think of it in archaeological terms. At first consideration, I think about archaeology as the study of ancient cultures in far away places. Yet, with family in countries like Greece, I acknowledge that awesome layers of history can be just under the surface, or deeply buried and unearthed as cities grow with constructions of buildings and transit infrastructure.
This piece in the Georgia State University Magazine made that quite clear.
Treasures of Terminus
From its days as a railroad boomtown to Sherman’s tinderbox to one of America’s great cities, Atlanta’s history runs deep. The Phoenix Project, more than 100,000 artifacts collected by a team of Georgia State archaeologist in the 1970s, tells the city’s story through unearthed historical objects.There is buried treasure at Georgia State University. Stacked high and deep in more than 500 boxes stashed throughout the labyrinths of Kell Hall, more than 100,000 artifacts tell the story of Atlanta’s history.
These boxes contain the lost pieces of a tumultuous past that dates to the city’s earliest days — bullet casings from the Civil War, mystery tonics in antique glass bottles, creepy toys, fashion accessories, ancient grooming tools and much more. Many of them still await examination and haven’t been opened since archaeologists first packed them four decades ago.
This massive array of objects is called the Phoenix Project, and Georgia State professors and students have been methodically studying, cataloging and mapping each item since 2011.
Collected all over the city between 1976 and 1980, the objects belong to the largest archeological collection ever associated with Atlanta. They are the fruit of one of America’s earliest urban archaeological projects — the roving excavation that followed construction crews as the Metropolitan Atlanta Rapid Transit Authority (MARTA) cleared land, leveled blocks and tunneled underground to build the first iteration of its rail system.
Jeffrey Glover, associate professor of anthropology, has curated the Phoenix Project for years in hopes of providing the public with a different kind of city history, a slice of Atlanta’s past through the lens of historical objects.
Choosing one box among hundreds, Glover removes a small amber bottle that once held Valentine’s Meat Juice, a concentrated beef tonic from the 1870s. Advertisements said it could help with gastroenteritis, dysentery and even cholera.
“It was supposed to bring vitality,” Glover says, “like an early energy drink.”
From another box, he takes out the misshapen head of a porcelain doll. Featuring dark, empty eye sockets and covered in burn marks, the scary toy looks hungry for souls. While Glover affectionately calls it the “creepy doll head,” its official artifact ID is “a3161,” written in impeccable script with archival ink across its neck.
That’s because the archaeologists who bagged all this stuff in the 1970s methodically described and organized each item using a numbering system adapted from the Georgia Department of Transportation. For example, the “a” in “a3161” stands for “general artifact” while the number indicates the item was the 3,161st general artifact to be cataloged from that accession. (And there are about 100 accessions.) Containers, such as glass and pottery, begin with “p,” and building materials with “m.” Plant remains use “eb” for “ethnobotanical” while animal bones start with “ez” for “ethnozoological.”
Just one of the standard cardboard bankers boxes can contain dozens, if not hundreds, of artifacts, each wrapped in brown paper and labeled with a unique artifact ID. Though they’ve all been recorded in a logbook alongside a one-line description, unwrapping each one is like opening a birthday present because you don’t know exactly what you’ll get.
“It’s an excavation of boxes,” says Lori Thompson (M.A. ’16), assistant laboratory director at New South Associates.