It’s been several months since Chinese conceptual artist Xu Bing orchestrated the monumental task of suspending a pair of 12 ton birds into the nave of one of New York City’s most famous cathedrals. Fashioned from salvaged construction debris from Beijing’s World Financial Center, the phoenix pair is reminiscent of the more 2-dimensional work of Brazilian artist Vik Muniz in both philosophy and meticulously layered execution.
Throughout China’s history, every dynasty has had its form of phoenixes. Representing luck, unity, power and prosperity, these mythological birds have, for the most part, been benevolent, gentle creatures. But this pair, fashioned from the materials of commercial development, reflect the grimmer and grittier face of China today.
“They bear countless scars,” Mr. Xu explained, having “lived through great hardship, but still have self-respect. In general, the phoenix expresses unrealized hopes and dreams.” Continue reading
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