Land Art Installations can be as varied as the land they sit upon and the vision of the individuals who create them. Sometimes urban and often in wilderness areas, they almost always offer a window into the hearts of their creators.
I’ve spoken about the convergence of art and architecture in previous posts, and Swedish firm Kjellgren Kaminsky Architecture was one such example. Whereas the installation Clear Cut makes a visual statement about a particular conservation issue, Reflecting Time is a study of the interaction of light and landscape.
The team headed north along the Norwegian coast, their only tools for this ephemeral installation 100 simple reflectors and the cameras they would need to record the work. They climbed the seaside mountain, placing the reflectors in straight, parallel lines that defied the undulating landscape. Then they spent time by the sea itself, marking the coast with tiny glimmers.
The tide is strong in Norway shifting the sea level up to 2 meters every day. A line of reflectors marked the coast, sometimes the reflectors lay on the ground later they float in the water. We made a ring further out in the sea untouched by the tide. It had an ephemeral glow that fascinated us.
In both cases the changing light and tides did the work, the art lay in meditating on the results.