We discovered the “essay and book series about the hidden lives of ordinary things” called Object Lessons through The Atlantic a few months ago, when we shared an article on real cheese. Today, I learned an unsettling – and to borrow a phrase – inconvenient truth about tote bags. Pretty much any time I go grocery shopping I use a couple reusable totes, unless I need some plastic shopping bags to replenish my trash-can liner supply, so what the folks at Object Lessons have to say about the issue is very informative about how we need to change the way we look at certain everyday objects:
For at least a few decades, Americans have been drilled in the superiority of tote bags. Reusable bags are good, we’re told, because they’re friendly for the environment. Disposable bags, on the other hand, are dangerous. Municipalities across the country have moved to restrict the consumption of plastic shopping bags to avoid waste. Many businesses have stopped offering plastic sacks, or provide them for a modest but punitive price. Bag-recycling programs have been introduced nationwide.
But canvas bags might actually be worse for the environment than the plastic ones they are meant to replace. In 2008, the UK Environment Agency (UKEA) published a study of resource expenditures for various bags: paper, plastic, canvas, and recycled-polypropylene tote bags. Surprisingly, the authors found that in typical patterns of use and disposal, consumers seeking to minimize pollution and carbon emissions should use plastic grocery bags and then reuse those bags at least once—as trash-can liners or for other secondary tasks. Conventional plastic bags made from high-density polyethylene (HDPE, the plastic sacks found at grocery stores) had the smallest per-use environmental impact of all those tested. Cotton tote bags, by contrast, exhibited the highest and most severe global-warming potential by far since they require more resources to produce and distribute.Such results feel deeply counterintuitive. HDPE bags seem foreign, artificial. They lodge in trees, catch in the esophagi of animals, fester in landfills, clot cities, and are reduced to small particles floating in ocean gyres—for hundreds of years into the future. But even though they don’t easily degrade, they require very few resources to manufacture and transport. They produce less carbon, waste, and byproducts than cotton or paper bags. They’re recyclable. They’re cheap. For all those reasons, they’re ubiquitous. And they remain, long after their usefulness is exhausted. The UKEA study calculated an expenditure of a little less than two kilograms of carbon per HDPE bag. For paper bags, seven uses would be needed to achieve the same per-use ratio. Tote bags made from recycled polypropylene plastic require 26, and cotton tote bags require 327 uses. (Although they weren’t included in the study, one can presume that designer totes, made with leather adornments, metal, and so on drive the required number of uses into basically astronomical numbers.) As the esteem of its environmental benefit has fallen, the tote has simultaneously grown in stature and ubiquity. Many stores offer inexpensive (or even free) reusable bags at the register, stamped with logos. Designers have latched onto the form and increased its stylishness. Totes are handed out as promotional gifts by nonprofits and businesses, a gesture that sends contradictory messages: one of conscientious consumption, another of conspicuous consumption.Just like plastic bags, totes multiply. In a 2009 article about the bags for Design Observer, the Urban Outfitters designer Dmitri Siegel claimed to have found 23 tote bags in his house, collected from various organizations, stores, and brands. Like plastic sacks, tote bags, too, now seem essentially unending. Because of their ubiquity, tote bags that have been used very little (or not at all) can be found piled on curbs, tossed in trashcans in city parks, in dumpsters, everywhere. Their abundance encourages consumers to see them as disposable, defeating their very purpose.This low-grade, unfocused mania for averting impending ecological disaster seems to be more harmful than helpful, which is a problem throughout popular environmentalism. Meat eaters decry the water usage demands of almond groves. Conscientiously piled garbage overflows from public trashcans to rot in the street. Studies show that Kenya-grown roses flown to England have a lower carbon footprint than those grown and shipped from Holland, that it’s less ecologically damaging for Americans east of the Mississippi to import wine from France than from California. Biodegradable plastics proliferate as single-use containers and utensils, greenly filling the demand for disposable goods rather than questioning it. Fuel economy and emissions standards for cars and trucks are considered, barely, but not those of oil tankers, container ships, military escapades, which can produce tens of millions of times the amount of carbon.
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Siegel identifies designers as particular culprits in the oversaturation of tote bags. He notes that because the bags are large, flat, and easily printed on, they’re great for embellishment and product placement. They’re given away with purchases at galleries, bookstores, eyeglass boutiques, grocers, tattoo parlors. Plus they’ve been hyped. He describes the 2007 launch of the “I’m not a plastic bag” tote, by fashion designer Anya Hindmarch:
The bag was originally sold in limited numbers at Hindmarch boutiques, Colette and Dover Street Market in London, but when it went into wide release at Sainsbury’s 80,000 people lined up to get one. When the bag hit stores in Taiwan, there was so much demand that the riot police had to be called in to control a stampede, which sent 30 people to the hospital.
Whether they’re delicately handled designer goods or a promotional product dirtied by daily wear, few totes are made to last long enough to obtain the number of uses required to reach resource-expenditure parity with the plastic bags they were meant to supplant. Though they promise timelessness and sustainability, they develop holes, straps come undone, seams disintegrate. They become fouled with stains and grime.
Many fashion brands sell bags for hundreds of dollars, with totes tracking the increase in economic inequality. Writing in the Wall Street Journal, Ellen Gamerman cites the same Hindmarch bag as evidence of the problem with turning bags into display symbols:
“Sarah De Belen, a 35-year-old mother of two from Hoboken, N.J., says she uses about 30 or 40 plastic bags at the grocery store every week. Late last year, she saw a woman at the supermarket with a popular canvas tote by London designer Anya Hindmarch and promptly purchased one online for about $45.