The photo to the right shows an interior view of the restaurant we named 51, one of our favorite accomplishments of seven years working in Kerala, India. The painting on the wall shows a traditional onion keeper, and it came to mind when I read these lines in a recipe-essay by Gabrielle Hamilton:
…and, of course, the onion tarts. We were steeped in his cooking and his thinking, and it was an excellent exercise to prepare the dishes of a long-ago iconic restaurant, and to see whether they stood the test of time without becoming museum pieces. Every one, especially the onion tart, was still pitch perfect….
The notion of “not becoming museum pieces” is the evocative part of the essay. Envisioning what 51 should look like, as with the entire exercise of developing Xandari Harbour, we constantly repeated that our goal was to be respectful of history without being a slave to it. By which we meant we wanted the heritage to be clear while also showcasing the new directions of Kerala’s culinary culture. And with all due respect to museums, this was to be a lively eatery.
The recipe-essay stirred another memory, from 1988. We celebrated the second anniversary of our marriage by having dinner at Lutèce. Somewhere in our stored papers is the menu from that evening, signed by André Soltner. Having worked for a chef who inspired me to see a lifetime career in hospitality, this dinner was a perfect mark on the map moving in that direction.