Sonya Noskowiak, Calla Lily, 1932. (Courtesy Center for Creative Photography)

Thanks to KQED (Public Media for Northern California, including National Public Radio and Public Broadcasting System, both of which would have the Raxa Collective seal of approval, if such a thing existed, for their excellent service to their communities) for this story of a not well enough known photographer:

Sonya Noskowiak: A Groundbreaking but Forgotten Photographer

By Matthew Harrison Tedford

…Another photograph, Calla Lily(1932), also possibly shown at the de Young, demonstrates Noskowiak’s thoughtful treatment of light. The flower’s milky white spathe is set against a vacuous black background. The flower appears as if floating, but the light falls on the veins of the leaves, grounding the luminous spathe.

A work titled Sand Pattern (1932) looks like aerial photographs of the Sahara or a satellite image of some uncharted Martian desert. Tentacles of sand stretch out in all directions as if they’re grasping for a nearby oasis. The sand resembles the aluminum powder found in an Etch A Sketch, almost shimmering. In actuality, the patterns might cover an area no larger than a footprint, possibly on a Carmel beach. Continue reading →