Mystical India, In Practical Terms

There have already been plenty of posts on this site that give the perspective of non-Indians living in or visiting India.  Here is another good example of an Indian describing a local feature of life that, to the non-Indian, is more of a phenomenon.  And so the style of delivery, while quite different from that of this man, is equally intriguing (fair warning: the accent is stronger here, but you can train your ear to understand)–both men talking about old stuff, rather genially and humbly, but clearly aware that they are sharing with the world something of value that might have been overlooked because it has been hiding in plain sight for so long.

The style of delivery, in fact, is as interesting as the content itself, if you are a non-Indian trying to figure out what makes the place called India so worthy of attention.  It is not what Robert Hughes called the Shock of the New, translated from art to service or organization; it is another example of the Shock of the Old.  And the style of delivery reinforces just that.

The joking self-effacement–no Silicon Valley-type innovation or technology, but we get by in our own way–belies an organizational philosophy made tangible that would be the envy of many organizations around the world.

Oxygen & Odonata

300 million years ago, the world was a very different place. Besides the severe geological changes and the sudden appearance of invertebrates, the Paleozoic Era was host to a severe change in atmospheric composition – namely the extreme increase of oxygen levels, and a drastic drop of carbon dioxide. The atmosphere, changing so radically, caused one or two ice ages, a few extinctions, and a natural development of what we today would consider very strange creatures indeed.

 

 

Scientists today, curious about (or perhaps inspired by) the fossils of dragonflies with 2-foot wingspans that zipped and zoomed (or whooshed, rather) through the Paleozoic skies, have been conducting experiments on the effects of atmospheric oxygen levels on short-term adaptation in a variety of insects.  In late 2010, results were produced – on a large scale.

The Best Is Yet To Come

Writing about that game, among other things, in this post (that breaks new media ground as a review in one magazine’s website of another magazine’s special edition on sports heroes), Giles Harvey reflects:

…he ends up missing—it’s the greatest goal never scored—but that hardly matters. If anything, the fact that he misses seems to intensify the aesthetic quality of the move. (As though Pelé were interested in something as utilitarian as scoring goals!)

The moment seemed to me to represent a summit not just of sporting prowess but of human civilization itself. Watching it, I felt what might be described as species pride: look what we’re able to do! Continue reading

Flattering Mother Nature

The Art and Design worlds are constantly giving us examples of our interpretive abilities when it comes to nature.  In fact, the very roots of Art go back to those expressions. But if “Imitation is the Sincerest Form of Flattery” then scientists and engineers are also following the adage that “form follows function” in ways that have the potential to direct us out of some of our environmental problems.

Lindsey Doermann writes about how an elephant’s trunk, water strider’s legs, woodpecker’s beak, peacock’s feathers or a beetle’s back (to name a few) are inspirations toward conservation focused engineering.

Continue reading

How So?

After watching some random video captures of natural scenes and especially creatures interacting, by more than one of our Contributors over the last few months, the temptation is to follow the cute animal trail where it leads.  No.  But from time to time, if for no other reason than to wonder how they did that video, we do not hesitate to share something that seems worth a moment of wonder:

Remember Stars?

It is getting more and more challenging to find locations with good, let alone great, star-gazing opportunities.  Seeing the images, let alone the craftsmanship, in this video we say wow, and double wow.  It looks a bit artificial at first, and artifice is not inherently unpleasant unless it comes off as, well artificial.  This builds, with the music, into brilliant artifice: we wish we were there.  Amazingly, Randy Halverson also shares the full explanation of the craft.  Triple wow.  Shall we ask Billabong to do the same with their double wow?