An Unusual Book Of Birds

181031_sg_the-pillar_mockup_spread2_medium

Thanks to Karl Ove Knausgaard, whose books I have read about but never read, this book above came to my attention with the photo below featured under the review’s title on the New Yorker website.

To Be a Bird

The photographs in Stephen Gill’s “The Pillar” encounter birds on their own terms.

knausgaard-birds07.jpg

A pillar knocked into the ground next to a stream in a flat, open landscape, trees and houses visible in the distance, beneath a vast sky. That is the backdrop to all the photographs in Stephen Gill’s book “The Pillar.” We see the same landscape in spring and summer, in autumn and winter, we see it in sunshine and rain, in snow and wind. Yet there is not the slightest bit of monotony about these pictures, for in almost every one there is a bird, and each of these birds opens up a unique moment in time. We see something that has never happened before and will never happen again. The first time I looked at the photographs, I was shaken. I’d never seen birds in this way before, as if on their own terms, as independent creatures with independent lives.

knausgaard-birds11.jpg

The review got me to seek out the book to see what it looks like; the picture at the very top and the ones below are what I found:

181031_sg_the-pillar_mockup_spread3_medium.jpg

10180249_grande.jpgI see from these pages what the reviewer describes, and to the right is what appears to be the cover of the book:

What was shocking about it was that I already felt familiar with birds, as I imagine most people do, since we can hardly go anywhere without being surrounded by them in one way or another.Here, where I’m sitting, in London, if I turn my head and look out of the glass doors, two, perhaps three seconds will go by before a bird passes over the trees and rooftops. Continue reading

Audubon Honors Women Of Birding World

web_feminist_.jpg

From left: Judith Mirembe, Kimberly Kaufman, Leticia de Mello Bueno, Molly Adams. Photos, from left: Esther Ruth Mbabazi, Camilla Cerea/Audubon, Jayme Gershen, Eva Deitch

It would never have occurred to me to think about this, but I am fine with the surprise:

When Women Run the Bird World

For decades female birders have been the silent majority. Now they’re starting their own movements to transform a privileged culture.

On the surface, birding might seem like neutral ground—an activity that any curious, nature-loving person can enjoy, regardless of age or gender. Go on a hike with your local ornithological club and at least half the attendees will be women. Circle the marsh with your binoculars and you’ll probably see a woman doing the same.

But female birders don’t always feel comfortable in the field, even with the rising awareness around #MeToo. Many of us keep on despite frequent put-downs and hostility, enduring dismissive comments about our knowledge and in the worst cases, sexual harassment. I’ve had men touch my hips to correct my perfectly fine birding stance. A ranger at a national wildlife refuge winked and told me about his “big, loaded gun.” My friends have been propositioned in parks and stalked by drivers along country roads. Not even a 16-year-old can bird in peace without commenters attacking her abilities and life list.

Like most matters of importance, women have been integral to birding from the get-go. Female ornithologists drew attention to avifauna in the late 1800s, and suffragists helped the movement take off in the early 1900s. Today, 42 percent of U.S. birders identify as women. Personally, female birders have run my world ever since I picked up a field guide in college. My ornithology professor was a woman. My boss at Audubon is a woman, as are most of my colleagues throughout the office. My birding circle is mainly members of the Feminist Bird Club.

And yet men have the loudest voices and the most power in the industry. The closer you get to the top of the birding, conservation, and academic ranks, the more the gender balance tips. At Audubon, for instance, the executive staff is 75 percent male, and the organization has never had a female president in its 114 years. This pattern persists industry wide. Men hold the highest positions at the American Birding Association, the Cornell Lab of Ornithology, and the American Bird Conservancy. They dominate bookshelves, festivals, competitions, and gear and travel ads. They build their reputations and livelihoods around the practice and reap the greatest profits…

And the feature immediately after continues the theme with the first of five substories:

web_jkg_0450

The Phoebes, a female-centric birding group formed by members of the Tropical Audubon Society. Photo: Jayme Gershen

Birding for Solidarity: The Phoebes

Eight women decided they had enough of the sport’s competitiveness, so they created a community to lift their sisters up. Continue reading

Melissa Clark’s Kelp Call

merlin_153017235_49fd1266-e0bc-4084-b2a0-463f574844dd-jumbo.jpg

Kelp, a variety of edible seaweed farmed near Portland, Me., is harvested in spring. It’s delectable and nutritious, it’s easy to cook with, and it actively benefits the ocean’s health. Matt Cosby for The New York Times

Melissa Clark has appeared in our pages plenty of times, starting in 2014 when we were launching a restaurant whose menu featured tasty, nutritious and environmentally friendly dishes–i.e. the types of foods she promotes. Today’s pitch is right in line with those we have featured before:

The Climate-Friendly Vegetable You Ought to Eat

Kelp is delicious and versatile, and farming it is actively good for the ocean. Melissa Clark wants you to just try a bite.

merlin_153017220_60147ae8-0be8-4022-9809-771478c35d7a-jumbo.jpg

Justin Papkee, kept company by his dog, Seguin, pulling up a line of kelp. Harvesting wild kelp is ancient, but farming it is a relatively new practice in the United States. Matt Cosby for The New York Times

PORTLAND, Me. — It was a sharp, windy March day, but the gray water of Casco Bay glimmered green in the sun. On his lobster boat, the Pull N’ Pray, Justin Papkee scanned the surface of the ocean, searching for his buoys. But he wasn’t looking for lobster traps.

Mr. Papkee was farming, not fishing: His crop, clinging to ropes beneath the cold waves, was seaweed, thousands of pounds of brownish kelp undulating under the surface. Growing at a rate of 4 to 6 inches per day for the past six months, it was nearly ready to be harvested and sent to restaurants like Blue Hill at Stone Barns, Estela, Houseman, Saint Julivert Fisherie and Luke’s Lobster in New York, and Honey Paw, Chaval and the Purple House here in Maine.

merlin_153563010_afbf47f7-c23c-4309-8485-d213349da62d-jumbo.jpg

Justin’s father, Chris Papkee, at left, and Jimmy Ranaghan removing the kelp from the long ropes on which it grows. Matt Cosby for The New York Times

He pulled a blade of kelp from his line and handed me a long, translucent strip. I took a bite, and then another, seawater running down my chin.

I’d eaten plenty of seaweed salads at Japanese and vegan restaurants, but this was not that. A variety called skinny kelp, it was lightly salty and profoundly savory, with a flavor like ice-cold oyster liquor, and a crisp, snappy texture somewhere between stewed collard greens and al dente fettuccine. The chef Brooks Headley, who adds it in slippery slivers to the barbecued carrots he serves at Superiority Burger in New York, described it in an email as “insanely delicious and texturally incredible.” Continue reading

Travel’s Ambassadors

Bike.jpg

A few years ago, as we were completing work on the final hotel of our work plan in India, we had visitors from Costa Rica. They brought this little thing as a gift. Bicycle as ambassador. Knowing that we had been developing relationships with artisan groups in India, this was a small token of what had been happening in Costa Rica in the many years we had been away. Using recycled materials, one group of artisans were designing and crafting mementos like this for people to take home with them after their vacation in Costa Rica.

During my doctorate years I had mementos from one place in my office. In my office now I have mementos from many different places to inspire the work we will do next. This little thing is in a prized place.

When Bill McKibben Speaks to Elizabeth Kolbert, Listen

RebellionDay4_OxfordCircus_VladimirMorozov-akxmedia_180419_6_web_web2.jpg

Climate activists block traffic in London’s Oxford Circus on April 19, part of a string of protests organized by Extinction Rebellion. COURTESY OF VLADIMIR MOROZOV/AKX MEDIA

Two luminaries on climate, in conversation:

Why Bill McKibben Sees Rays of Hope in a Grim Climate Picture

end-of-nature.jpgThe world has done little to tackle global warming since Bill McKibben’s landmark book on the subject was published in 1989. In ane360 interview, McKibben talks about the critical time lost and what can be done now to avoid the worst impacts of climate change.

Three decades ago, Bill McKibben published The End of Nature, the first book on climate change aimed at a general audience. McKibben went on to found the international environmental group 350.org, help launch the fossil fuel divestment movement, and write a dozen more non-fiction books, as well as a novel. In 2014, McKibben received the Right Livelihood Award, sometimes referred to as the “alternative Nobel,” for mobilizing popular support for “strong action to counter the threat of global climate change.”

falterbookpage.jpgMcKibben’s latest book, Falter: Has the Human Game Begun to Play Itself Out?, was published this month and debuted last week on the New York Times bestseller list. In an interview with Yale Environment 360 , McKibben talks about why the critical time for action on climate was missed, where he still finds hope, and what the world will look like three decades from now.

“Thirty or 50 years out, the world’s going to run on sun and wind, because they’re free,” McKibben says. “The question is… what kind of world will it be?”

Yale Environment 360: It’s almost exactly 30 years since you published The End of Nature. One way to read that book is as a warning. How you would characterize Falter? Is it also a warning, or are we beyond that?

Bill McKibben: Look, 30 years ago this was all still prospective. You couldn’t really take a picture of climate change yet. Now, having wasted 30 years, we’re at the point where it’s a dominant fact of everyday life for hundreds of millions of people and promising to be the overwhelming fact of our time in the years ahead. It’s too late, obviously, to stop climate change. I hope that the book gets across that it may not be too late to keep it from getting absolutely out of control. It’s not a warning. It’s some combination of a report and a chronicle and a plea, I think. Continue reading

History As Told By Trees

merlin_153311571_b3fdf7b9-c200-4890-9b82-9f12f185d579-superJumbo.jpg

A sample from Siberia, with the core dating from 1637 and the outer ring from 2011, hangs on a wall at the research lab on the University of Arizona campus in Tucson. Adriana Zehbrauskas for The New York Times

Thanks to Jim Robbins, as always:

Chronicles of the Rings: What Trees Tell Us

Studying the historical data stored in centuries-old trees is a burgeoning field, with labs around the world learning more about historical patterns of weather and climate and the effects on humans.

merlin_153309360_fa758574-8314-483b-9ea2-4f56a77fbef9-jumbo

Wood samples for research at the Laboratory of Tree Ring Research at the University of Arizona. Adriana Zehbrauskas for The New York Times

TUCSON — From the early 1700s until the 1960s, the fast moving river of wind known as the North Atlantic Jet Stream, which drives weather extremes over Europe, was pretty steady on its course.

Then it became less predictable. But instrument data alone can’t tell the jet stream’s movements for comparison over the centuries, given that scientists began keeping records of weather events via instruments only in the late 19th century. Continue reading

Aana Art Equaling Life-Sized Conservation

Elephants have held highest honors in our family for decades, as symbols for the importance of Nature Conservation, and later infused with the power of Ganesh when we lived in India.

Elephant conservation has taken many forms over the years. When writing about the recent Real Elephant Collective collaboration exhibit that took place in Cochin a few months ago, I realized that art installations using elephants as symbols for big picture conservation have existed for some time.

Having been unable to attend the exhibit personally, Anoodha and the Curiouser team make me feel that I was there.

 

 

 

 

 

 

Plastic Soup & Creative Re-Use With A Critical Purpose

4159

Ocean Sole turns reclaimed flip-flops into colourful, hand-made animal toys and sculptures. Tonnes of flip-flops wash up on the east African coast every year.
Photograph: Courtesy of Ocean Sole/Plastic Soup

PlasticSoupAnd speaking of plastics, a new book has come to our attention thanks to the Guardian, and thanks to Island Books for the explanation of the book:

Plastics have transformed every aspect of our lives. Yet the very properties that make them attractive—they are cheap to make, light, and durable—spell disaster when trash makes its way into the environment. Plastic Soup: An Atlas of Ocean Pollution is a beautifully-illustrated survey of the plastics clogging our seas, their impacts on wildlife and people around the world, and inspirational initiatives designed to tackle the problem.

4519

Peter Smith made this floating work, World of Litter, in 2012.
Photograph: Courtesy of Jos van Zetten/Plastic Soup

In Plastic Soup, Michiel Roscam Abbing of the Plastic Soup Foundation reveals the scope of the issue: plastic trash now lurks on every corner of the planet. With striking photography and graphics, Plastic Soup brings this challenge to brilliant life for readers. Yet it also sends a message of hope; although the scale of the problem is massive, so is the dedication of activists working to check it. Plastic Soup highlights a diverse array of projects to curb plastic waste and raise awareness, from plastic-free grocery stores to innovative laws and art installations.

According to some estimates, if we continue on our current path, the oceans will contain more plastic than fish by the year 2050. Created to inform and inspire readers, Plastic Soup is a critical tool in the fight to reverse this trend.

2362.jpg

Washed Ashore makes larger-than-life sculptures of marine animals, like this parrotfish, to make people aware of plastic pollution.
Photograph: WashedAshore.org/Plastic Soup

Memento

Souvenir.jpg

When we lived in Paris, weekend grocery errands inevitably led us through informal markets where people sold all kinds of old things. One favorite distraction was the vendor of postcards. There was at least one person at any given marketplace who had cards like the ones above, mostly from early 1900s, some going back to the previous century. Usually they were in shoe boxes and never were they organized in any way any of us could understand.  Most but not all were from French travelers sending mementos back to people in France. In just five minutes flipping through the cards we could be transported.

What made this a favorite distraction was as much professional as anything else. Having spent several years studying a place from which countless postcards had been sent starting in the 1870s, I developed an affinity for the choices made by illustrators and photographers in different eras about how to represent a place.

There is also a personal dimension to this affinity, which is that my father was a photographer who in addition to a portrait studio had a postcard business. From 1972 until 1978 if you sent a postcard from just about anywhere in the Finger Lakes region of New York state, it was probably one of his postcards, which means one of his photographs. Starting when I was 10 years old until I was 16 I would accompany him on road trips through that region when he was restocking postcards at hotels and other venues where they were sold. That might explain my favorite distraction in Paris.

A Game of Arboreal Chess Against Climate Change

Illustrations by Andrew Khosravani

Those familiar with this site know that climate change denial would find difficult footing; no leap of faith is required to take it as scientific fact. We appreciate the following examples of learning from recent history of forest collapse and planning for environmental changes accordingly.

Can Humans Help Trees Outrun Climate Change?

SCITUATE, R. I. — Foresters began noticing the patches of dying pines and denuded oaks, and grew concerned. Warmer winters and drier summers had sent invasive insects and diseases marching northward, killing the trees.

If the dieback continued, some woodlands could become shrub land.

Most trees can migrate only as fast as their seeds disperse — and if current warming trends hold, the climate this century will change 10 times faster than many tree species can move, according to one estimate. Rhode Island is already seeing more heat and drought, shifting precipitation and the intensification of plagues such as the red pine scale, a nearly invisible insect carried by wind that can kill a tree in just a few years.

The dark synergy of extreme weather and emboldened pests could imperil vast stretches of woodland.

So foresters in Rhode Island and elsewhere have launched ambitious experiments to test how people can help forests adapt, something that might take decades to occur naturally. One controversial idea, known as assisted migration, involves deliberately moving trees northward. But trees can live centuries, and environments are changing so fast in some places that species planted today may be ill-suited to conditions in 50 years, let alone 100. No one knows the best way to make forests more resilient to climatic upheaval.

These great uncertainties can prompt “analysis paralysis,” said Maria Janowiak, deputy director of the Forest Service’s Northern Institute of Applied Climate Science, or N.I.A.C.S. But, she added, “We can’t keep waiting until we know everything.” Continue reading