
Carl Aubock II [Austrian, 1900-1957] Ashtray, Model No. 3597, 1948. Ashtray Model No. 4736, 1947. PHOTO: CoExist
In the 1930s, the central belief of the organic movement was that furniture and architecture should reflect a harmony between people and nature. In furniture design, this meant natural materials like wood, and smooth, rounded forms. The bent plywood furniture of legendary French designer Jean Prouve came out of this period, as did Marcel Breuer and his laminated birch plywood armchair with a calfskin cushion. These designers prided themselves on being dedicated to their craft, and their pieces were painstakingly made and not easily reproduced. “They saw it as a unique work that refers to nature,” says Olshin. “These pieces tend to be unique one-of-a-kind studio work that’s not easily produced in mass quantities.”

