Although fairly ubiquitous in Botanical Gardens and museum rotundas, Dale Chihuly’s colorful and primarily organically shaped glass installations add an intriguing juxtaposition with the spaces they inhabit. Despite his popularity, opinion varies whether his work enhances or detracts. Whichever camp you choose, there’s a fertile ground for conversation.
The single-word, all-caps title — “CHIHULY” — of a new show at the New York Botanical Garden conveys immediately exactly what visitors will be getting: vibrant glass sculptures in a familiar style, one that often recalls nature, and sometimes competes with it.
He started by weaving glass into tapestries but, eventually, the weaving part, once his primary technique, fell away.
“There is something about glass, one of the few materials that light goes through,” Mr. Chihuly said. “You’re looking at light itself.”
The shapes that Mr. Chihuly has spread to institutions worldwide remind many people of organic forms. But he has always maintained that copying nature has never been his goal. “I’m not conscious of mimicking,” he said. “I don’t study plant books. Glass wants to make forms like that, if you let it.” Continue reading