In an earlier post we pointed to a wondrous article in The New Yorker, and now a blog post on the magazine’s website has a collection of photo out-takes and some behind the scenes description of getting those shots:
The portrait that opens the piece, of Goode with a tortoise, just barely came together. “Everything was planned to the minute, and so many things could have gone wrong,” Torgovnik told me from Rwanda, where he was onto his next assignment.
