
Rem Koolhaas’s new show tells a story that stretches from ancient Rome and China to the environmental, existential crisis of the present. Photograph by Laurian Ghinitoiu / Courtesy AMO
Thanks to Carolyn Kormann for the welcome distraction:
Rem Koolhaas’s Journey to the Countryside
One morning last week, the Dutch architect Rem Koolhaas was slowly turning in place in the center of the Guggenheim Museum’s rotunda, his face tilted up toward the sun-flooded glass roof. Suspended above his bald head was a miniature yellow submarine with a long needle at one end, like a bayonet. The device, Koolhaas explained, was something Australians developed to exterminate starfish. “Because of global warming, they are proliferating to the extent that they need to be killed, to protect the great barrier reef,” Koolhaas said. “The sub injects them with poison.” He smiled slyly. “Organic poison.” Continue reading