The artist Terence Koh recently installed a single-occupancy “bee chapel” upstate, left; at right, the chapel has been reconstructed in a modified form at Andrew Edlin Gallery on the Bowery.Credit From left: Stewart Shining; Olya Vysotskaya
The New York Times has a story currently that would interest anyone aware of the crisis related to bees and other pollinators; it helps if you also see art as a worthy tool of engagement for addressing complex major challenges facing the planet, and humanity; have a read either way:
An Art World Provocateur Returns to New York With an Unexpected Subject: Bees
By
“Good afternoon,” the elusive artist Terence Koh said over the phone earlier this week. He’d called to discuss his new show, which opened at Andrew Edlin Gallery over the weekend. “I’m inside the bee chapel. I’m lying down and looking straight up at the ceiling. They’re really busy today because it’s sunny.”
The Beijing-born, Canadian-raised enfant terrible was once the poster boy of aughts excess — a decade ago, he gold-plated his own feces and sold them at Art Basel for about a half-million dollars; he also once, rather infamously, told T, “I am the Naomi Campbell of the art world.” But the past few years have brought a different turn: He discontinued his gallery representations and, in 2014, moved to a mountaintop in the Catskills. The relocation was widely construed as a ceremonial retirement of sorts, but Koh insists the opposite: “I never had any intention of quitting the art world, I just moved to a different part of the world,” he says. “It was something that happened naturally.” He has since lived peacefully in what he describes as a personal Eden dusted with goldenrod and apple trees. In the branches of one, he built a hut and called it a “bee chapel,” which would become the titular heart of his new exhibition. Continue reading
Organikos 