A few years ago, during a work visit in Athens, Amie and I made a last-minute decision to book a flight to Istanbul. We had both long wanted to visit, the flight was inexpensive, and we had a few days to spare. A primary impetus for the visit was to experience this museum. My memory of Istanbul is mainly my memory of the museum. And it is one of my strongest travel memories in a life full of travel. Reading about this “club” I realized there are more shrines for bibliophiles than I had imagined:
Founded in 1884, the Grolier Club is America’s oldest and largest society for bibliophiles and enthusiasts in the graphic arts. Named for Jean Grolier (1489 or 90-1565), the Renaissance collector renowned for sharing his library with friends, the Club’s objective is to promote “the study, collecting, and appreciation of books and works on paper.” Through the concerted efforts of an international network of over eight hundred men and women—book and print collectors, antiquarian book dealers, librarians, designers, fine printers, binders, and other artisans—the Grolier Club pursues this mission through its library, its public exhibitions and lectures, and its long and distinguished series of publications.
The story of America can be told through the story of its periodicals. Photograph by Alfred Eisenstaedt / The LIFE Picture Collection / Getty
And the only reason it came to my attention was thanks to Nathan Heller, whose subject likens magazines over earlier centuries to the social media of today in his cultural comment essay What Are Magazines Good For? Tickets to New York are inexpensive, which makes a visit tempting for this one reason, but it will have to wait:
…“The best way to think about magazines is as the analog Internet—they’d foster communities of people, just like on social networks,” Steven Lomazow, a seventy-three-year-old New Jersey neurologist who created the exhibition from his personal collection of more than eighty-three thousand magazine issues, said the other day. Continue reading
Reading the review, and the museum’s description of this show, I immediately thought of a museum that Amie and I had the chance to visit in Istanbul, which had been on our to-do list for some time; and the next click through the museum’s website led me to this:
THURSDAY 09/29 /16 7PM
Which just seemed right because the museum in Istanbul was create by Orhan Pamuk. I will do my best to find a recording of this conversation, if they make a recording or transcript available and but for now the best I can do is direct you to the website of the museum in Istanbul which, hopefully, will lead you to the actual museum, easily the most moving museum experience of my life:
The Museum of Innocence is both a novel by Orhan Pamuk and a museum he has set up. From the very beginnings of the project, since the 1990s, Pamuk has conceived of novel and museum together. The novel, which is about love, is set between 1974 and the early ’00s, and describes life in Istanbul between 1950 and 2000 through memories and flashbacks centred around two families – one wealthy, the other lower middle class. The museum presents what the novel’s characters used, wore, heard, saw, collected and dreamed of, all meticulously arranged in boxes and display cabinets. It is not essential to have read the book in order to enjoy the museum, just as it is not necessary to have visited the museum in order to fully enjoy the book. But those who have read the novel will better grasp the many connotations of the museum, and those who have visited the museum will discover many nuances they had missed when reading the book. The novel was published in 2008, the museum opened in Spring 2012.
Be sure that you read the explanation for this floor motif.
Click the image above to go to the article in Financial Times about a museum inspired by a book, and an author’s life experience:
In a dark-red Ottoman town house in Istanbul’s antiques district, a fast-gentrifying quarter where brassware spills on to steep, cobbled lanes, an idiosyncratic museum has been taking shape. Continue reading