If you are out and about in New York City, this may be for you:
Anne Samat is a contemporary artist from Malaysia who works with fiber and weaving techniques from archipelagic Southeast Asia. Moving beyond the rules and acceptable practices of traditional weaving, Samat creates technically complex and visually arresting sculptural wall reliefs and anthropomorphic figures that engage with issues of gender and identity. The artist interrupts the lines and patterns of the weave by inserting a wide range of everyday objects, usually household items such as colanders, combs, and rakes. Her selection of these objects is congruent with the often very personal nature of her sculptures, which draw heavily from her biography. Samat’s practice challenges the Euro-American hierarchical notions of art and craft, which often relegate non-western artisanal practices to the disparaged realm of craft. Samat received a BA in art and design from the Mara Institute of Technology, Shah Alam, in 1995.