Photo credits: Ramesh Kidangoor
Kavadiyattam is an important folk art in certain pockets of the state. Ash-smeared dancers in yellow or pink-coloured clothes carry ornate, multi-tiered arches on their shoulders and move in procession to the rhythmic beats of the chenda, udukku, thakil and nadaswaram to please Lord Subramanya. Continue reading
Photo Credits: Ramesh Kidangoor
Originating among the traditional warriors of Kerala, Velakali is a ritual artform presented in a temple courtyard. Among the martial folk arts, this is one of the most spectacular and extremely vigorous dances performed in Kerala. Fifty or more dancers dress up as soldiers with colorful shields and shining swords. Their fabulous attire includes a conical headdress and chests covered with beads and other types of garlands. The dance includes war-like steps in a line to the accompaniment of martial music. Fighting techniques are displayed by coming forward from the line. Continue reading
This has captured our attention, and will not let go. Why? Maybe it is because the artist’s name (but definitely not his work) is identical to that of another non-mainstream artist who, according to the most widely used search engines, is alot more well-known. But that cannot be all there is to it. For some it could be the strong memory of Grand Central Station and the seeming incongruity of its use as a stage, even on the occasion of a birthday party. For others it may be as simple as a question. What are those costumes? A post in on the New Yorker‘s website explains:
…Cave, who was born in Missouri, in 1959, and is based in Chicago, where he serves as director of the Art Institute’s graduate fashion program, has been producing Soundsuits—which can be displayed as inert sculptures, or can be worn, often by their creator, “activated” to produce a variety of noises—for nearly twenty years. He has made Soundsuits from an array of found materials including dryer lint, sequins, sweaters, socks, buttons, feathers, human hair, and vintage toys. His first Soundsuit was made of twigs, in reaction to the beating of Rodney King. Continue reading
Many people happen to be in New York City. It happens all the time. People just show up. But this time is different (as they all are, and so on). In discussion recently, several of us at Raxa Collective agreed that the first time they heard of someone named Nick Cave, a rather offbeat artist to say the least, was through the music in a film that may have had the best soundtrack of any film ever. Now, continuing that offbeat approach, he shows up in a train station of all places. Only thing is, it is not the same Nick Cave. That soundtrack Nick Cave was the real deal. So is this one. How many Nick Caves are there?
Nick Cave/ HEARD • NY
Presented by MTA Arts for Transit and CREATIVE TIME
Vanderbilt Hall, Grand Central Terminal
March 25 – 31, 2013 Continue reading
Photo credits: Ramesh Kidangoor
Mohiniattam is a gentle and graceful semi-classical dance form of Kerala. The orgins of this dance are traced to Dasiattam, the dance performed by women in temples as an offering to propitiate the Gods. The customary costume for Mohiniattam is a cream two-piece pleated sari with a wide gold border and traditional gold ornaments. The eyes are lined dramatically with kohl to enhance the dancer’s expressions. The hair is tied in a bun, placed at the side of the head and encircled by a string of fragrant jasmine flowers. Continue reading
Photo credits: Ramesh Kidangoor
Maha Shivaratri means “the great night of Shiva”. Shiva- the name meaning auspicious- is one of the Hindu Trinity, comprised of Lord Brahma The Creator; Lord Vishnu The Preserver and Lord Shiva The Destroyer. This festival is said to commemorate the day on which Shiva protected the world by drinking a pot of poison that had the power to destroy the entire universe. Continue reading
Photo credits: Ramesh Kidangoor
Ottanthullal is a combination of music, dance and linguistic variations, which is characterized by wit and humor. The most appealing aspect of the performance is the combination of storyteller and dancer in one actor, who effortlessly switches from one to the other. Continue reading
From our friends in the north comes our favorite kind of cultural festival–all mixed up. It is reviewed in this podcast and explained on the Kennedy Center’s website:
About the festival
February 19-March 17, 2013, the Kennedy Center presents Nordic Cool 2013, a month-long international festival of theater, dance, music, visual arts, literature, design, cuisine, and film to highlight the diverse cultures of Denmark, Finland, Iceland, Norway, and Sweden as well as the territories of Greenland, the Faroe Islands, and Áland Islands. Continue reading
Photo credits: Ramesh Kidangoor
Theyyam is a synthesis of tribal, Dravidian and Aryan cultural practices. It seems as if Northern Kerala believed that the Indian pantheon of 33 crores (330 million) Gods was not a large enough contingent, they added ancestors and heroes to the list and gave them a special space in the Theyyam rituals.
Continue reading
There are five veshams (costume and makeup styles) of Kerala’s traditional dance form Kathakali; Kathi vesham (meaning knife), Pacha (green), Thadi (beard), Minukku (radiant) and Kari (black) veshams.
Kerala’s dance traditions are not merely living traditions but cultural documents that reflect the socio-cultural surroundings. The story reflected in the dance forms are rooted in the rituals of the indigenous people. Continue reading
The story of Kerala is mirrored in the evolution of its art and culture and offers a veritable array of performing arts. Thullal is a solo performance combining dance and the recitation of stories in verse. Introduced in the 18th century, Seethanankan Thullal is the slowest of the three forms of the Thullal. Continue reading
Theyyam are ritual filled performances of dance, music and religious worship of the people of Kerala. There are nearly 400 deities that are represented in this manner, with each Theyyam believed to be a physical manifestation of the particular god. One of the Theyyam performed in the northern regions of Kerala is Chamundi Theyyam, representing the god Durga Devi. Continue reading
The Pottan Theyyam is one of the most popular ritualistic dances of Kerala performed by the Malayan community. It is a devotional performance with a surrealistic representation of the divine. The Pottan Theyyam leaps into the fire at the end of his performance, his costume made of fronds and leaves insulating him from burns . Continue reading
Kerala offers a wide variety of performing arts, most of them springing from folk tradition. The finesse, rhythm and elegance of the classical dances of Kerala are a result of the various cultural influences that took place in the state. These dance forms are a delicate fusion of ancient classical texts and folk traditions, making them distinctive and unique.
There are more than 50 well- known folk dances in Kerala. Although they are often related to religious rituals and mythological stories, they are also very much the languages of the people. Watching folk dance is an unforgettable experience for their dramatic costumes, vibrant colours and throbbing music.
Celebrations in Kerala are never focussed on the individual; they are about the land, the people and the society. The state’s most famous festival, the Harvest Festival of Onam takes place during the time when granaries overflow. In contemporary Kerala in addition to traditional customs there are exhibitions and sales across the state with music and dance events, flower shows and food festivals. These are some of the Onam festival pictures from Thekkady, which are organized by the Tourism department and Grama Panchayat (the local municipality).
The most spectacular event of all Kerala festivals, Onam epitomises a new found vigour and enthusiasm about everything. The festival celebrates the return of King Mahabali, who is said to visit his subjects each year. To convince their beloved King that Kerala continues to be prosperous land of milk and honey people decorate their homes and celebrate to the fullest sometimes even faking prosperity to present a happy and flourishing facade to their King. Continue reading
Kerala offers a veritable array of the performing arts, most of them springing from folk tradition. Though often related to religious rituals and mythological stories, they are also very much the language of the people. Dramatic costumes, vibrant colours, throbbing music; watching a folk dance is an unforgettable experience. Poothan-Thira Kali is one of the popular ritualistic dances of North Kerala. Continue reading
Mudiyattu is an drama associated with the worship of the Mother Goddess, Bhadrakali. It is performed with minor variations in almost all parts of the state. The dance form depicts the taking over of the mudi, or crown, from the demon Darikan by Bhadrakali. Continue reading
Organikos 