Fascinating Feathers

Starting in late November, 2013 and ending in mid-January, 2014, the CUBs Fascinating Feathers Challenge received six hundred submissions, and we selected around fifty of those entries as award-winners in their distinct categories.

Best Dressed was the most popular category for participants, leading us to believe that people find birds beautiful! And rightly so. Out of the stunning array of well-dressed bird photos and pieces of art that are shared in the category, we saw both common and less-known birds, with colorful and monochromatic plumage patterns, but all with a great sense of style and a pleasure to look at!

Much harder to see were the entries in our Best Camouflaged category — these inconspicuous fellows were often feathered to perfection when it came to blending in with their surroundings and fooling us into thinking they were just another rock, or a pile of leaves, or a stump on a tree! Just as the Best Dressed birds are emblematic of the sexual selection that takes place throughout much of the animal kingdom, the Best Camouflaged appropriately illustrate the importance of adapting to the environment over the course of evolution and becoming better predators or luckier prey as a species. Continue reading →

Signs of Spring: The Latest CUBs Challenge!

On Saturday, Celebrate Urban Birds started its latest Challenge, called Signs of Spring, to welcome the (in many cases impending) return of sunnier days, greener grasses, and most importantly, migratory birds. For those of you wondering what ever happened with our Fascinating Feathers Challenge from the holiday season, check out this post.

Photo © Cornell Lab. Individual photos by T. Grange, V. DuBowy, P. Siegert, and Z. Boles.

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If You Happen To Be In New York

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Thanks to the New Yorker‘s website for keeping us posted on the first show of a new curator at MOMA, in a medium of expression we care about for various reasons both aesthetic and technical:

In this week’s issue of the magazine, Vince Aletti talks to Quentin Bajac, MOMA’s new chief curator of photography, about “A World of Its Own: Photographic Practices in the Studio,” his first show for the museum:

“I’m a bit tired of the predictable history from the daguerreotype to the digital print,” says the Paris-born Bajac, who comes to MOMA from stints at the Musée d’Orsay and the Centre Pompidou, where he was the head of the photography department from 2007 to 2013. Continue reading →