Thanks to KQED (Public Media for Northern California, including National Public Radio and Public Broadcasting System, both of which would have the Raxa Collective seal of approval, if such a thing existed, for their excellent service to their communities) for this story of a not well enough known photographer:
Sonya Noskowiak: A Groundbreaking but Forgotten Photographer
By
…Another photograph, Calla Lily(1932), also possibly shown at the de Young, demonstrates Noskowiak’s thoughtful treatment of light. The flower’s milky white spathe is set against a vacuous black background. The flower appears as if floating, but the light falls on the veins of the leaves, grounding the luminous spathe.
A work titled Sand Pattern (1932) looks like aerial photographs of the Sahara or a satellite image of some uncharted Martian desert. Tentacles of sand stretch out in all directions as if they’re grasping for a nearby oasis. The sand resembles the aluminum powder found in an Etch A Sketch, almost shimmering. In actuality, the patterns might cover an area no larger than a footprint, possibly on a Carmel beach. Continue reading



















