There does not seem to be a weak link in this chain: From Scratch consistently delivers. Earlier samplings were, with few exceptions, mostly interviewees who we know about and admire at the intersection of conservation and commerce.  Chuck Close, pictured to the right in a self-portrait from 1994, is another exception in terms of theme. But like his paintings, his role as entrepreneur is a matter of perspective: seen from one distance, then like any great entrepreneur he combines determination with creativity to do what he must do, even in the face of adversity most of us cannot even imagine.  From another distance, his distaste from the commercial dimension of his chosen calling appears anti-entrepreneurial (but of course this is why he is among the most celebrated living artists). He is a mirror opposite of all the things we find distasteful and dreadful about the so-called “art world.”  Click the artist’s image to go to the interview:

When we see a painting hanging on the hallowed walls of a museum, we get a sense of an artist’s technique and imagination, but we don’t get a sense of the process and hurdles that artist faced on the way to critical acclaim. Continue reading →

He is the Theatre Critic for The Toronto Star, and let this fellow make a statement that is probably unparalleled in this sort of venue or any other venue for that matter. Artists are often reticent to share their views on meaning or interpretation, their craft, their purpose. This one puts it all out there, and Richard is wise to let him go at it.   Continue reading →