
Searching for the truly authentic image: Gerhard Richter’s paintings invite a deep engagement. Abstraktes Bild 809-4. Photo by Peter Macdiarmid/Getty Images
We are finding more reasons to pay attention to this publication each time we dig deeper into it. This artist, his art form, this writer, and the intersection of these ideas are all worth the 30-40 minutes this article grips your attention for:
I was in my teens when I first started to really look at paintings. Although I didn’t just look, I bathed in them, and I was perpetually teased by my friends for the tremendous length of time it took me to navigate an art gallery. This pleasure of looking and of being completely absorbed in painting has remained constant; whether ancient or modern, figurative or abstract, and whatever the style, I am prepared to give every work the chance to lure me in.
What is so compelling? When art was an adjunct of religion, its power was clear. But from the Renaissance on, painting, at least in the Western tradition, has preoccupied itself as intensely with secular as with overtly religious subject matter, or else with no subject at all. Continue reading


















