The graph above tells a story about what happens when an author-researcher writes compellingly about scientifically rigorous findings. Citations build. In this particular case, some of those citations are of research about the brain’s inner workings during the process of writing. Carl Zimmer’s attention to the work of Martin Lotze, in the Science section of the New York Times, is as scintillating as Zimmer gets:

…A novelist scrawling away in a notebook in seclusion may not seem to have much in common with an NBA player doing a reverse layup on a basketball court before a screaming crowd. But if you could peer inside their heads, you might see some striking similarities in how their brains were churning.

That’s one of the implications of new research on the neuroscience of creative writing. For the first time, neuroscientists have used fMRI scanners to track the brain activity of both experienced and novice writers as they sat down — or, in this case, lay down — to turn out a piece of fiction.

The researchers, led by Martin Lotze of the University of Greifswald in Germany, observed a broad network of regions in the brain working together as people produced their stories. But there were notable differences between the two groups of subjects. The inner workings of the professionally trained writers in the bunch, the scientists argue, showed some similarities to people who are skilled at other complex actions, like music or sports.

The research is drawing strong reactions. Some experts praise it as an important advance in understanding writing and creativity, while others criticize the research as too crude to reveal anything meaningful about the mysteries of literature or inspiration.

Read the whole article here.