Leaving aside the question of why so many of the world’s most important historical artifacts are in London, rather than where they originated, the curator in the video above is charming. And the man in the photo just below to the right is his counterpart in the place where this particular artifact originated. My interest in board games is much less well informed, but like Mr. Mofaq I have an interest in their revival, so Deb Amlen’s article in the New York Times is appreciated:
Hoshmand Mofaq, an Iraqi artist, pondered his next move on one of the Royal Game of Ur boards he designed. Mr. Mofaq is part of a group who hope to popularize and return the game to the Iraqi people as part of their cultural heritage. Shwan Mohammed/Agence France-Presse — Getty Images
For 4,600 years, a mysterious game slept in the dust of southern Iraq, largely forgotten. The passion of a museum curator and the hunger of young Iraqis for their cultural history may bring it back.
It is the end of a long, hot day of selling your wares in a market in ancient Mesopotamia, around 2,400 B.C., and you are looking for a way to unwind.
Netflix will not be invented for another four and a half millenniums, but as luck would have it, a pub lies ahead in the distance. A beer and a round of the Middle East’s favorite game is just the thing to pick you up. The thrill of the game is irresistible: It is impossible to predict who will win in this race to get your pieces to the end of the board, even in the last few moves.
One of the boards of the Royal Game of Ur excavated in the 1920s, on display at the British Museum. The British Museum, via Commons.wikimedia.org
You sit down across from your opponent, who offers you the first turn. You pick up the four-sided dice and shake them in your fist. Maybe this time the rumored fortunetelling aspect of the game will bless you with a spate of good luck and prosperity. Continue reading →
Bundles of newly coppiced Salix viminalis – willow stems harvested during late autumn and winter each year, to create living willow structures and woven items. Photograph: Compulsory Credit: GAP Photos/Nicola Stocken
As an energy crisis looms, nimble young activists are using superhero-like moves to switch off wasteful lights that stores leave on all night.
Kevin Ha extinguishing a store’s lights last month. Mauricio Lima for The New York Times
Paris— After taking a few steps back to get a running start, Hadj Benhalima dashed toward the building, pushed against its wall with his foot, propelled himself upward and stretched out his arm.
At the peak of his leap, he flipped off a light switch, more than 10 feet off the ground. A click sound rang out, and the bright lights of a nearby barbershop went off instantly.
“Oooh,” his friends cheered, as Mr. Benhalima, a thin 21-year-old dressed all in black, landed back on the sidewalk. It was the second store sign he had turned off on a recent nighttime tour across Paris’s upscale neighborhoods. Many more would follow as he soared up and dropped back down across the city. Continue reading →
Installed in several locations on the Allen Street Malls between Broome and Hester Streets, this group exhibition features four artworks by five artists addressing themes of nature. Artists include Elizabeth Knowles and Eric David Laxman, Elaine Lorenz, Judith Peck, and Michael Wolf.
While at Cornell University last month I got my fill of early autumn florals and educational signage. While in the Botanic Gardens I was struck by a floral sculpture, a type of art I am not often moved by. But that one worked. And so, looking through the Art in the Parks section of the New York City Department of Parks & Recreation website, the image to the right caught my attention. And scrolling further through that collection I saw the image below, which on a day after hurricane-driven rains in Costa Rica, with the morning sky clear of clouds, hits the spot:
September 25, 2022 to September 10, 2023
Morningside Park, Manhattan
Description:Tierra Fragil, depicts endangered insects and birds with the flowers and plants imperative to their survival. The mural informs and encourages the preservation of familiar species whose presence we may have taken for granted.
An avid diver saw how lionfish have devastated populations of Florida’s native tropical fish and resolved to help solve the problem
Aarav Chavda has been diving off the coast of Florida for years. Each time he became increasingly depressed by the ever-growing void, as colourful species of fish and coral reefs continued to disappear. Continue reading →
Artist-made birdhouses are installed throughout the Garden as part of For the Birds. Use the exhibition map or scan the list below to explore!
Zach Helfand gives us a quick sketch of what happens when celebrities, and celebrity architects, collaborate on behalf of birds. When you next have the opportunity to visit the Brooklyn Botanic Garden, keep this initiative in mind:
To benefit the Audubon Society, “For the Birds,” a COVID passion project, brings together ornithophiles and artist-designed birdhouses, including a 12BR Apt, A/C, No Elv, Vus.
100 Martin Inn birdhouse on location at Brooklyn Botanic Garden.
The recent housing market has brought about ruinous price increases, a bidding war over a fifth-floor walkup studio with no oven, and enough of a civic exodus for the Post to declaim, earlier this month, “listen up, new york—florida sucks, and you’ll all be back in five years.” But that doesn’t mean deals can’t be had. Take a unit that just went on the market. It’s a newly built architect-designed twelve-bedroom in shall we say Crown Heights, with finishes by a master carpenter and three-hundred-and-sixty-degree views of Prospect Park. Continue reading →
Rethinking what the region’s travel should be has meant expanding the focus from fairy tale castle crawls to experiences anchored more firmly in nature, food and the arts.
The Loire Valley is a UNESCO Heritage-protected region, and drew in 9 million yearly visitors to its cultural sites before the pandemic. Joann Pai for The New York Times
On my last prepandemic trip to the Loire Valley, in 2018, I found myself in a familiar place.
Ten years after my first road trip on the region’s castle route, I was back at the 500-year-old Château de Chambord, joining a small group of European and American tourists on a guided tour. Within seconds of convening in the inner courtyard, we were craning our necks to marvel at the structure’s ornamental bell towers as our guide rattled off facts and dates about King Francis I and his former hunting lodge. When she ushered us up to the towers, chiding us for not listening, a feeling of deja-vu washed over me. Continue reading →
Waste pickers searching for plastics at the main dump in Dakar, Senegal.
The article below, written by Ruth Maclean and accompanied with photographs by Finbarr O’Reilly, is a portrait in developing world green opportunism. It is not a pretty picture, per se, but it is a sight to behold after the market for recycled plastic seemed to implode in recent years. The photo above shows the gritty reality of the work. The photos below show some of the prettier, and more entrepreneurial downstream opportunities from that work:
Workers stripping reusable plastic from mats at the Sosenap factory, which recycles plastic to make mats and carpets in Diamniadio, on the outskirts of Dakar.
Plagued by plastic pollution, Senegal wants to replace pickers at the garbage dump with a formal recycling system that takes advantage of the new market for plastics.
The main event at the outdoor venue for Dakar Fashion Week in December, which had a theme of sustainability.
DAKAR, Senegal — A crowd of people holding curved metal spikes jumped on trash spilling out of a dump truck in Senegal’s biggest landfill, hacking at the garbage to find valuable plastic. Continue reading →
We understand why the replicas are made, and why people buy them. We refuse to confuse understanding with acquiescence.
The scoop and the bird clip in the image above, two such things I also wrote about two years ago, are examples of local culturally relevant artifacts that we hope will not be outsourced to a factory in another part of the world. The coffee in that image is another example, with a twist. What I like about coffee as a memento is that it is at the intersection of tangible and intangible. It is quintessentially Costa Rican, but once you enjoy the entire bag you no longer possess that thing. As you consume it, it tells you something about Costa Rica. When it is finished you possess a memory of the coffee, and of Costa Rica.
Yesterday’s post linked to earlier ones with rose references, and one of those led me to a small correction. The photo above shows a slightly different angle on the roses in the garden of the restored convent. I had assumed those roses were very old. A bit of sleuthing led me to the fact that they were planted during the restoration, and they are “indeed quite perfumed.” For that and other reasons it is worth taking another look at that project, this time told by Olinda Adeane and with excellent photos by Simon Watson:
A mother-and-daughter design duo has taken an unconventional approach to the conversion of a sixteenth-century convent in Tuscany, filling the rooms with objects and artworks of their own making.
In the library, hand-coloured prints stand out against the white walls. SIMON WATSON
Henry James once described his friend Edith Wharton as a ‘great and glorious pendulum’ swinging back and forth across the Atlantic. In a similar fashion, Holly Lueders, a designer from New York, has returned to Greece every year since she first visited the country as an 18-year-old student. Holly grew up in a sleepy town in Missouri with little in the way of culture or local craft, but her family was artistic and good with their hands. ‘Anything we wanted, we made for ourselves,’ remembers Holly. She studied art history and archaeology at Columbia University and completed her studies in Athens. Continue reading →
Some of the crafts we carry seem museum quality to us, but we offer them in the context of commerce.
We would love to attend this show at the Smithsonian, primarily to see the work of Jessica Beels, whose work is showing in the Mixed Media and Paper section of the Show. Her website is full of reasons to see more of her work.
The company said the shoe, called Nomad, will be made from coffee waste and recycled bottles, while recycled polyester will be used to create the membrane to make the footwear waterproof. Photograph: c/o Rens
There is nothing particularly remarkable about the idea of using coffee bags a second time. But it was fun realizing how easy it is, and just doing it. Less easy and maybe lots more fun is the idea in the article below. Hats off to the creative founders who chose this path instead of chasing Silicon Valley unicorns (perhaps their success will demonstrate that unicorns thrive on a healthy planet, as expressed in this t-shirt I saw recently):
Seth’s photo of the view from the hill at Morgan’s Rock in Nicaragua
Today marks ten years since the first post on this platform. Seth’s description of a crab-eating little possum wandering by as he was reading, and a sloth-sighting together with two people visiting Nicaragua from the USA, reads like an entry in a travelogue. A later post about boarding down a volcano was the most viewed post of the first year.
Seth sandboarding down Volcán Cerro Negro in Nicaragua
A man named Baba Ramdev, a yoga guru, was on a hunger strike to protest corruption when Michael, a senior at Amherst College, landed in India to begin an internship
We’ve barely explored the darkest realm of the ocean. With rare-metal mining on the rise, we’re already destroying it.
By Elizabeth Kolbert
June 14, 2021
The International Seabed Authority is headquartered in Kingston, Jamaica, in a building that looks a bit like a prison and a bit like a Holiday Inn. The I.S.A., which has been described as “chronically overlooked” and is so obscure that even many Jamaicans don’t know it exists, has jurisdiction over roughly half the globe. Continue reading →
The Economist offers this brief thinkpiece on what to make of the recent uptick in interest in craft-made products (unless you are a subscriber to the magazine you will need to sign up for free limited access to the magazine’s website):
The market for artisan goods is likely to grow. But organised craft could lose its charm
In “THE REPAIR SHOP”, a British television series, carpenters, textile workers and mechanics mend family heirlooms that viewers have brought to their workshop. The fascination comes from watching them apply their craft to restore these keepsakes and the emotional appeal from the tears that follow when the owner is presented with the beautifully rendered result. Continue reading →
We studiously avoid politics, though we never hesitate to highlight policies we agree with and especially those we disagree with. But today, unlike any day since we started this platform in mid-2011, we cannot not notice that it is a politics-crazy day in the USA. So, we only go as far as noting that, and share what may be an antidote to the craze. The title says it all (click above).
The Brooklyn Film Society has been organizing the Brooklyn Film Festival for decades, providing a public forum for the local community to view an extraordinarily wide range of national and international films. Scheduled from May 29 – June 7th, the 23rd edition of the festival features 6 categories of films: Narrative Feature, Narrative Short, Documentary Feature, Documentary Short, Animation, and Experimental.
The primary difference from past editions is the venue… all the films will be available on line, free of charge. So sign up following this link – and enjoy!
Just a few months ago, nobody, not even the most daring sci-fi screenwriter, could have predicted the current situation and/or the extent of the COVID-19 takeover. Besides the fact that we are all still dealing with the basics and a resolutive approach feels still far away, one thing seems certain: we won’t be able to go back to the pre-virus thinking and lifestyle anytime soon. The fear of the “invisible danger” that threatens our life is radically modifying our own life routine and the way we deal with our neighbors. It is a “Turning Point” in history. It is a moment that will ultimately reveal who we are as human beings. The Brooklyn Film Festival, with its 2020 event, plans to highlight and dissect people’s character and problem solving attitude as it shifts from one time zone to the next. The international role BFF has always played on the world’s stage, will now come truly handy while with our film lineup we travel from one corner of the planet to another. “Turning Point” is about refreshing our own point of view. It’s about rethinking our old assumptions and learning from the people who share our screen whether they live in a different continent or across the street. “Turning Point” is about reinventing our planet and our life.
I visited the Nelson-Atkins many times in recent decades when visiting family in Kansas City. I never visited the Kansas City Zoo because, while I am grateful for the essential services zoos can provide, animals in captivity generally depress me. Our son Milo and his 3-year old daughter were in Kansas City just after Amie and I visited in late February. With grand/great grand-parents they visited both the Nelson-Atkins and the Kansas City Zoo. The zoo was a huge hit with our grand-daughter, and I am grateful to that zoo for her exposure to live animals she might never otherwise get to see.
I did not know before just now what exceptions might exist to my general rule of avoiding even images of wild animals in captivity. I have discovered one. I suppose on reflection I will probably change my mind, but for now I stand by the idea that the directors of these two institutions are doing their best in tough times to find creative solutions for everyone:
Kansas City Zoo executive director Randy Wisthoff says their Humboldt penguins have missed their regular interactions with zoo visitors, so a field trip was in order. Gabe Hopkins/The Nelson-Atkins Museum of Art.
Penguins were allowed to waddle through the galleries of Kansas City’s Nelson-Atkins Museum of Art. Both the museum and the Kansas City Zoo — home to the penguins — have been closed because of the pandemic. The Nelson-Atkins Museum of Art.
What a time to be a penguin.
First, a group of the flightless birds were recently allowed to roam the halls of Chicago’s Shedd Aquarium — a through-the-looking-glass moment if there ever was one.
The outing was arranged by The Nelson-Atkins Museum of Art in Kansas City, Mo., and the Kansas City Zoo. Both institutions are closed to the public because the pandemic.
“Quarantine has caused everyone to go a little stir-crazy, even the residents of the Kansas City Zoo. So several of the penguins decided to go on a field trip to the Nelson-Atkins, which is still closed, to get a little culture,” said a caption accompanying the video. Continue reading →
March 8, 2020 will remain a memorable date for me. I was walking down the mountain to pick up something from the store, and I came upon this gathering close the location where the feria happens in Escazu.
It will remain memorable because I was aware of the growing crisis in other parts of the world, but at this moment did not yet see it in perspective. Nor, on this lovely morning, did I have reason yet to think about family farms the way I am thinking about them today.