Seth’s photo of the view from the hill at Morgan’s Rock in Nicaragua
Today marks ten years since the first post on this platform. Seth’s description of a crab-eating little possum wandering by as he was reading, and a sloth-sighting together with two people visiting Nicaragua from the USA, reads like an entry in a travelogue. A later post about boarding down a volcano was the most viewed post of the first year.
Seth sandboarding down Volcán Cerro Negro in Nicaragua
A man named Baba Ramdev, a yoga guru, was on a hunger strike to protest corruption when Michael, a senior at Amherst College, landed in India to begin an internship
Michael’s first post likewise starts as a travelogue, but veers into different territory as he reads the news about two men who are sacrificing comfort, and even life, for causes they believe in. The post goes on to identify drinking water as a cause worthy of the reader’s attention. Over the course of his time with us in India he wrote some of my personal favorites. He helped me better understand that the value of the internships we offered were as much about personal growth as about work experience.
Within a few years, permits could be issued for commercial miners hoping to harvest the submerged wealth of the sea. Illustration by Sophi Miyoko Gullbrants
A decade was set in motion. This is our 10,286th post. Whatever meaning might be drawn from statistics, such as 827,462 views of our posts as of this writing, I find reasons to continue what those two started. Every day a bird is featured, thanks to Amie’s network of bird photographers. And every day I scan the news to share something enlightening, or I jot a note about a new idea we are trying out, always related to causes we care about. Today, on this rounding out of a decade, I mark the occasion by sharing the latest publication of a writer whose work rarely makes me happy but who I nonetheless link to often as a head-out-of-the-sand gesture:
June 14, 2021
The International Seabed Authority is headquartered in Kingston, Jamaica, in a building that looks a bit like a prison and a bit like a Holiday Inn. The I.S.A., which has been described as “chronically overlooked” and is so obscure that even many Jamaicans don’t know it exists, has jurisdiction over roughly half the globe. Continue reading
The Economist offers this brief thinkpiece on what to make of the recent uptick in interest in craft-made products (unless you are a subscriber to the magazine you will need to sign up for free limited access to the magazine’s website):
The market for artisan goods is likely to grow. But organised craft could lose its charm
In “THE REPAIR SHOP”, a British television series, carpenters, textile workers and mechanics mend family heirlooms that viewers have brought to their workshop. The fascination comes from watching them apply their craft to restore these keepsakes and the emotional appeal from the tears that follow when the owner is presented with the beautifully rendered result. Continue reading
We studiously avoid politics, though we never hesitate to highlight policies we agree with and especially those we disagree with. But today, unlike any day since we started this platform in mid-2011, we cannot not notice that it is a politics-crazy day in the USA. So, we only go as far as noting that, and share what may be an antidote to the craze. The title says it all (click above).
The Brooklyn Film Society has been organizing the Brooklyn Film Festival for decades, providing a public forum for the local community to view an extraordinarily wide range of national and international films. Scheduled from May 29 – June 7th, the 23rd edition of the festival features 6 categories of films: Narrative Feature, Narrative Short, Documentary Feature, Documentary Short, Animation, and Experimental.
The primary difference from past editions is the venue… all the films will be available on line, free of charge. So sign up following this link – and enjoy!
Just a few months ago, nobody, not even the most daring sci-fi screenwriter, could have predicted the current situation and/or the extent of the COVID-19 takeover. Besides the fact that we are all still dealing with the basics and a resolutive approach feels still far away, one thing seems certain: we won’t be able to go back to the pre-virus thinking and lifestyle anytime soon. The fear of the “invisible danger” that threatens our life is radically modifying our own life routine and the way we deal with our neighbors. It is a “Turning Point” in history. It is a moment that will ultimately reveal who we are as human beings. The Brooklyn Film Festival, with its 2020 event, plans to highlight and dissect people’s character and problem solving attitude as it shifts from one time zone to the next. The international role BFF has always played on the world’s stage, will now come truly handy while with our film lineup we travel from one corner of the planet to another. “Turning Point” is about refreshing our own point of view. It’s about rethinking our old assumptions and learning from the people who share our screen whether they live in a different continent or across the street. “Turning Point” is about reinventing our planet and our life.
I visited the Nelson-Atkins many times in recent decades when visiting family in Kansas City. I never visited the Kansas City Zoo because, while I am grateful for the essential services zoos can provide, animals in captivity generally depress me. Our son Milo and his 3-year old daughter were in Kansas City just after Amie and I visited in late February. With grand/great grand-parents they visited both the Nelson-Atkins and the Kansas City Zoo. The zoo was a huge hit with our grand-daughter, and I am grateful to that zoo for her exposure to live animals she might never otherwise get to see.
I did not know before just now what exceptions might exist to my general rule of avoiding even images of wild animals in captivity. I have discovered one. I suppose on reflection I will probably change my mind, but for now I stand by the idea that the directors of these two institutions are doing their best in tough times to find creative solutions for everyone:
Kansas City Zoo executive director Randy Wisthoff says their Humboldt penguins have missed their regular interactions with zoo visitors, so a field trip was in order.
Gabe Hopkins/The Nelson-Atkins Museum of Art.
Penguins were allowed to waddle through the galleries of Kansas City’s Nelson-Atkins Museum of Art. Both the museum and the Kansas City Zoo — home to the penguins — have been closed because of the pandemic.
The Nelson-Atkins Museum of Art.
What a time to be a penguin.
First, a group of the flightless birds were recently allowed to roam the halls of Chicago’s Shedd Aquarium — a through-the-looking-glass moment if there ever was one.
Now, penguins visited a museum for a “morning of fine art and culture.”
The outing was arranged by The Nelson-Atkins Museum of Art in Kansas City, Mo., and the Kansas City Zoo. Both institutions are closed to the public because the pandemic.
“Quarantine has caused everyone to go a little stir-crazy, even the residents of the Kansas City Zoo. So several of the penguins decided to go on a field trip to the Nelson-Atkins, which is still closed, to get a little culture,” said a caption accompanying the video. Continue reading
March 8, 2020 will remain a memorable date for me. I was walking down the mountain to pick up something from the store, and I came upon this gathering close the location where the feria happens in Escazu.
It will remain memorable because I was aware of the growing crisis in other parts of the world, but at this moment did not yet see it in perspective. Nor, on this lovely morning, did I have reason yet to think about family farms the way I am thinking about them today.
Amy Lombard for The New York Times
Thanks to Steven Kurutz, whose first two appearances in our pages (6 and 4 years ago, respectively) prepared us well for this charming news:
“Visible mending” has been taken up by those who want to protest fast fashion and disposable culture. It’s also thrifty.
Amy Lombard for The New York Times
Only a few generations ago, socks were routinely darned, sweaters mended and pants patched. You could buy a sewing kit at any drugstore. Knowing how to use it was a mark of good housekeeping.
Kate Sekules, 58, remembers that world, in which the act of repairing clothes was integral to wearing them. “My mother was a dressmaker to the end of her life,” said Ms. Sekules, who grew up in England. “My mother just mended as a matter of course.”
Ms. Sekules has kept up that thrifty tradition. She started one of the earliest secondhand online clothing exchanges, Refashioner. She buys all of her clothes vintage and mends them all, including her husband’s moth-eaten sweaters. Continue reading
ENZO PÉRÈS-LABOURDETTE / YALE E360
It is commonplace belief that music from our youth influences our taste in music for the rest of life, and that no music ever displaces the favorite music of our late teens and early twenties (this is lore, admittedly, not science), so it makes sense that this same period of music acquisition can influence much more:
The environmental movement has largely failed to connect with people of color and marginalized urban communities. By confronting issues from contaminated water to climate change, hip hop music can help bridge that divide and bring home the realities of environmental injustice.
When I was diversity director at North Carolina State University, part of my job was to recruit young people — often from communities of color — into the College of Natural Resources. It could be a struggle; these were talented and creative kids, but often they didn’t see how environmental or sustainability issues were relevant to their lives. Continue reading
Plastic has been on our radar for years, both as an environmental scourge and a raw material for the rising recycle and “upcycle” economy. Finding these creative uses for an ubiquitous waste material around the world has been inspiring, to say the least.
We hadn’t been familiar with the Precious Plastic model until we met the wonderful women from the Wagát Upcycling Lab. We applaud the community ethos of open source plans to address a global crisis.
Big Bang, Indeed!
There is something about EARTH University that produces some of the most creative entrepreneurs, whose work combines design, craftsmanship and social responsbility. We are happy to feature Mitica’s work in the shops for these reasons.
It is equally rewarding to introduce new friends here as it is to talk about old friends. I already mentioned Ceiba recently, but I chose one of their more esoteric (if extremely useful) products to highlight in that post. This group of artisans had our attention sufficiently with the beauty of their products when we first met them last year. When we brought some of the products home to test them out in our own kitchen, the utility factor added to our decision to carry their products. But a third factor, which is our extra attention to coffee and coffee culture as essential parts of Costa Rica’s identity, made their products among my personal favorites. So here I am providing a second look at their work.
This simple bird motif carving is a clip to hold your coffee bag shut after opening. I use it every day.
I also use the coffee scoop every morning, and while I love all their products it is these two coffee-centric ones I appreciate the most. Even for someone living in Costa Rica these are lovely little reminders of this country’s commitment to conservation, considering where Ceiba sources their wood, one of Costa Rica’s most important renewable resources. That makes me think these products are particularly well-suited to offer value as a takeaway for visitors to this country.
When we moved to Costa Rica in the mid-1990s one dimension of my work required analysis of the handicrafts sector as part of the nascent tourism industry. That led to my getting to know one of the country’s pioneering wood turners, Barry Biesanz. We have been friends ever since, and as we started planning for what is now Authentica, a range of Biesanz wood products were the first we committed to.
Above is a bowl not currently on display in Authentica, but it is a favored part of our home collection. Last year one of the old trees behind our home came down in a storm. Barry sent a few of his workmen to help clear it away. Months later this bowl was gifted to us, one of many bowls he had been able to craft from the wood from that tree. In the sign we have placed with his work, note the reference to defects. You can see those in the bowl above. During the last year Barry also introduced us to other Costa Rican artisans, and we have featured their work alongside his in the two shops.
To make the best use of the citrus in your life, visit Authentica and find this item. You may already have a fancy electric gadget that can perform the same function as this juicer, and it may seem self-evidently superior.
I beg to differ. First, on the experience: the mix of metal, plastic and/or glass of the electric juicer, designed for speed, eliminates any inherent satisfaction that either the fruit or the tool might provide. Holding this wooden juicer is a form of time travel. It resembles one I first saw in 1969. And that one likely resembled juicers in use in that village for hundreds of years, typically made of olive wood.
Secondly, I beg to differ on utility. Electric juicers may get the job done quicker, but this juicer gets another, more important job done. Its carbon footprint is a tiny fraction of the electric one, starting with construction and finishing with the use of electricity. And this is made by a group of craftsmen in Costa Rica who work with wood that has been recycled from previous use–timbers or railings from old homes–or wood from trees felled by storms. Experience + utility + sustainability = an authentic Costa Rica takeaway.
Since we started this platform in 2011 I have been on the lookout for graphical representations that help me, and therefore might help others, understand complex issues related to the environment. Photography has been the easiest reach for me, perhaps because I am a son of, a brother of, and a father of people who have mastered that form. Comics were not part of my life, so that form has eluded me. And I realize that the work of Susie Cagle escaped my attention–as I have shared visual artists’ depictions of natural phenomena, with science and especially ecological issues emphasized–until now. And this is a good way for her work to come to my attention, because in our family we have been debating this tree’s value for decades:
A to-scale sculpture of a juvenile humpback whale ribcage made of plastic bottles.
An artist doing something about it. Whether or not the root problem is solved, we can all be more creative about doing something about the problem. Angela Haseltine Pozzi demonstrates by example. That’s a nice story to start the day with. Thanks to National Public Radio (USA) for brightening our day:
In her gallery in Bandon, Ore., Angela Haseltine Pozzi stands next to an enormous sea dragon sculpted from plastics found on Oregon’s famously ‘pristine’ beaches.
At Coquille Point along the remote and rugged southern Oregon Coast, the wind is tumultuous and the sea just as violent. Huge waves crash up against the giant, moss-cloaked rocks perched off the beach.
Angela Haseltine Pozzi founded Washed Ashore in 2010. The nonprofit turns plastics taken from Oregon’s beaches into eye-opening sculptures of threatened marine life.
This particular stretch of the Oregon coastline is famous for being pristine and wild. But train your eyes down a little closer to the beach and sand as Angela Haseltine Pozzi so often does, and even here you’ll find bits of plastic.
“I think the most disturbing thing I find is detergent bottles and bleach bottles with giant bite marks out of them by fish,” she says.
A sea star made mostly of plastic water bottles from the 2008 Summer Olympics in China that are still washing up on Oregon beaches today.
Haseltine Pozzi is a local artist and longtime art teacher who’s made it her mission to collect as much of this shameful garbage as possible. It washes up from Asia, Europe, California and right here in Oregon.
In her gallery in the nearby town of Bandon, where she’d spend summers with her grandmother exploring the wild beaches, she’s now taking these plastic invaders and turning them into jaw-dropping sculptures. The plastic bottle caps, cocktail toothpicks, shotgun shell casings — anything — form life-size garbage creatures of the very marine life threatened by all this plastic. Continue reading
At the same time Crist has been writing multiple teaser posts about our upcoming Authentica shops we continually search for both classic and innovative artisanally crafted items to highlight there. Each discovery feels like stumbling upon a gem while sifting through stones.
Those discoveries have even more personal impact when they have an upcycled or recycled element. Wagát Upcycling Lab is just one of those exciting discoveries. Continue reading
Authentica opened the first of its two shops last week, and this post is a quick statement of what occurred to me while looking across the shop once all the displays were set up. Back in early June I thought that two words simultaneously riffing off the concept of creative destruction, and our two decades of practicing entrepreneurial conservation, was enough of a tag line for saying what we are doing.
But now three more words seem worthy of adding to the mix. Because across this room it is clear that the pursuit of creative conservation is contextual and very specific; we are doing this all for artisans. I do not mean that just in the sense that we are completely motivated to do what Authentica is doing, for the sake of artisans, though that is true. The variety of items on display–colorful totems of Costa Rica’s culture, design-forward textiles, sensuous ceramics and turned wood objects, specialty coffees and artisanal chocolates–made clear now that Authentica should be more explicit. Say clearly that all proceeds from every sale in Authentica get reinvested back into building a better economy for artisans. Maybe it can be said in fewer than five words, the way 100% Forward says all that Organikos needs to say. Brevity is the soul of wit, and wit is a powerful currency. I will work on it in the days to come.
‘Wyrd goes ever as it must.’
After some weeks of letting the ideas in this essay settle in, and not reading (until now) any of the criticism of those ideas, it is more clear to me that I mistook Franzen’s position for something familiar, even close to home. Going back through my own postings on this platform, the mistake is understandable. We have been highlighting soft and gradual and mostly (but not all, by any means) comforting approaches to thinking about climate change.
I just revisited this post, thinking that Franzen’s position is like that word I heard 5+ years ago, but Franzen is not a collapsitarian. From my poking around, it is not clear that Paul Kingsnorth is one either. In that earlier post I linked to the About section on his website and it is still as funny ever, but now this:
Who are you?
I am 75% English, 25% Greek Cypriot, 100% European and 0% European Union. I share 96% of my genetic material with chimpanzees and 60% with bananas. I am descended from the Viking Earls of the Orkney Isles. I live with my English-Punjabi wife and our two children in the west of Ireland, where 85% of the men are descended from eastern Mediterranean farmers.
I’m a writer. I mainly write novels, poetry and essays.
Tell me about your writing
My non-fiction takes deep dives into big questions about how we might live in a world losing its cultural and ecological bearings at a rapid rate.
My fiction is mythological, otherworldly and multilayered, and is aimed at adults with at least one underworld journey under their belts…
It is worth reading in full, to see how his views may have changed in recent years, but mainly what caught my attention is the program of courses he has created, which look worthy of promotion, especially as captured in the photos (©Natasha Lythgoe) below and at the top:
The Wyrd School is a writing school unlike any other. Founded in 2018 by Paul Kingsnorth, an award-winning novelist, poet and essayist, with two decades of writing experience, we are home to unique writing courses, talks, and other events designed to bring the human and the non-human worlds back into contact, and to help you produce writing and art from the resulting sparks.
Wyrd is an old Anglo-Saxon word, often translated as fate or destiny. Continue reading
Ten years ago I was in Tirana and if I squinted I might have seen this article coming. I was working on a project for the United Nations Development Programme, focused on the Prespa Lakes Basin, and the visits in Tirana were like a time warp. In a good way, as it is now more easy to see:
In the Albanian capital of Tirana, the country’s strange history and bright future collide.
The paneled facade of the Plaza Tirana. Federico Ciamei
Over the past five years, Albania has been discovered by travelers as that rare thing: a largely unexplored corner of Europe (one with some 265 miles of coastline). The small Balkan country sits just across the Adriatic and Ionian seas from Italy’s heel and a mere 45-minute ferry ride away from the Greek island of Corfu. It’s recently gotten its first high-end waterside resorts, and as the beach town of Sarande and the seaside city of Vlore have become more comfortable, so too has Tirana — the country’s capital, about 22 miles inland with a population of over half a million — grown more cosmopolitan, with new restaurants, shops and galleries joining the almost surrealist pastiche of testaments to the city’s past. For a good example of the way eras collide in Tirana, just visit Skanderbeg Square, recently renovated with new fountains and rosy granite paving, and home to an 18th-century mosque and minaret, a domed Albanian Orthodox church opened in 2012, a set of government buildings that echo the fascist architecture of Mussolini’s Italy and a Brutalist monolith that houses the National Historical Museum.
Initially settled by Illyrian and Greek tribes during ancient times, Albania spent over four centuries as part of the Ottoman Empire. After 1912, it became a fascist-leaning monarchy, and then, in the wake of World War II, a Communist state ruled by the infamous dictator Enver Hoxha. In 1991, a full year behind many of its Eastern Bloc neighbors, the country saw its first democratic elections, as well as murmurings of a cultural awakening. Tirana may not have a robust avant-garde scene, but it does have a gritty, iconoclastic edge — the Pyramid, a large monument to Hoxha in the center of town, is now popular with skateboarders — and a joie de vivre that’s enticed many former expats. “There’s so much potential,” says Flori Uka, a local winemaker who trained in northeastern Italy and now specializes in vintages made from organic Kallmet grapes grown just outside the city. “We were isolated for so long, but today it’s possible for creative people to do what they love. The place has become very receptive to the new.” Continue reading
A set of pink seesaws allowed people to share some fun along the U.S.-Mexico border wall this week. Here, a woman helps her little girls ride the seesaw that was installed near Ciudad de Juarez, Mexico. Christian Chavez/AP
Despite being a few days late within the news cycle, this story deserves to be highlighted. In fact, in face of the bombardment of negatives along the border, we’d say it’s imperative to keep the power of joy as a constant point of reference.
A stretch of the border wall between the U.S. and Mexico was adorned with a set of pink see-saws this week — allowing children (and grownups) to play together across the barrier. The event was “filled with joy, excitement, and togetherness,” says architect Ronald Rael, a leader of the project.
The seesaws were installed on Sunday, when their steel beams were eased through the slats of the tall fence that divides Sunland Park, N.M., from Colonia Anapra — a community on the western side of Ciudad Juárez in Mexico.
“Everyone was very happy and excited to engage the seesaws,” Rael says via email, describing the mood at Sunday’s event. And while he admits to being a little nervous about the completion of a project that had been brewing for 10 years, he says it went off without a hitch.
“It was peaceful and fun — a day at a park for the children and mothers of Anapra,” Rael says.
The seesaws were created by Rael and fellow architect Virginia San Fratello; the two are partners in a design firm. By installing playground toys, they sought to tweak the meaning of a border fence. Continue reading