An avid diver saw how lionfish have devastated populations of Florida’s native tropical fish and resolved to help solve the problem
Aarav Chavda has been diving off the coast of Florida for years. Each time he became increasingly depressed by the ever-growing void, as colourful species of fish and coral reefs continued to disappear. Continue reading →
Artist-made birdhouses are installed throughout the Garden as part of For the Birds. Use the exhibition map or scan the list below to explore!
Zach Helfand gives us a quick sketch of what happens when celebrities, and celebrity architects, collaborate on behalf of birds. When you next have the opportunity to visit the Brooklyn Botanic Garden, keep this initiative in mind:
To benefit the Audubon Society, “For the Birds,” a COVID passion project, brings together ornithophiles and artist-designed birdhouses, including a 12BR Apt, A/C, No Elv, Vus.
100 Martin Inn birdhouse on location at Brooklyn Botanic Garden.
The recent housing market has brought about ruinous price increases, a bidding war over a fifth-floor walkup studio with no oven, and enough of a civic exodus for the Post to declaim, earlier this month, “listen up, new york—florida sucks, and you’ll all be back in five years.” But that doesn’t mean deals can’t be had. Take a unit that just went on the market. It’s a newly built architect-designed twelve-bedroom in shall we say Crown Heights, with finishes by a master carpenter and three-hundred-and-sixty-degree views of Prospect Park. Continue reading →
Rethinking what the region’s travel should be has meant expanding the focus from fairy tale castle crawls to experiences anchored more firmly in nature, food and the arts.
The Loire Valley is a UNESCO Heritage-protected region, and drew in 9 million yearly visitors to its cultural sites before the pandemic. Joann Pai for The New York Times
On my last prepandemic trip to the Loire Valley, in 2018, I found myself in a familiar place.
Ten years after my first road trip on the region’s castle route, I was back at the 500-year-old Château de Chambord, joining a small group of European and American tourists on a guided tour. Within seconds of convening in the inner courtyard, we were craning our necks to marvel at the structure’s ornamental bell towers as our guide rattled off facts and dates about King Francis I and his former hunting lodge. When she ushered us up to the towers, chiding us for not listening, a feeling of deja-vu washed over me. Continue reading →
Waste pickers searching for plastics at the main dump in Dakar, Senegal.
The article below, written by Ruth Maclean and accompanied with photographs by Finbarr O’Reilly, is a portrait in developing world green opportunism. It is not a pretty picture, per se, but it is a sight to behold after the market for recycled plastic seemed to implode in recent years. The photo above shows the gritty reality of the work. The photos below show some of the prettier, and more entrepreneurial downstream opportunities from that work:
Workers stripping reusable plastic from mats at the Sosenap factory, which recycles plastic to make mats and carpets in Diamniadio, on the outskirts of Dakar.
Plagued by plastic pollution, Senegal wants to replace pickers at the garbage dump with a formal recycling system that takes advantage of the new market for plastics.
The main event at the outdoor venue for Dakar Fashion Week in December, which had a theme of sustainability.
DAKAR, Senegal — A crowd of people holding curved metal spikes jumped on trash spilling out of a dump truck in Senegal’s biggest landfill, hacking at the garbage to find valuable plastic. Continue reading →
We understand why the replicas are made, and why people buy them. We refuse to confuse understanding with acquiescence.
The scoop and the bird clip in the image above, two such things I also wrote about two years ago, are examples of local culturally relevant artifacts that we hope will not be outsourced to a factory in another part of the world. The coffee in that image is another example, with a twist. What I like about coffee as a memento is that it is at the intersection of tangible and intangible. It is quintessentially Costa Rican, but once you enjoy the entire bag you no longer possess that thing. As you consume it, it tells you something about Costa Rica. When it is finished you possess a memory of the coffee, and of Costa Rica.
Yesterday’s post linked to earlier ones with rose references, and one of those led me to a small correction. The photo above shows a slightly different angle on the roses in the garden of the restored convent. I had assumed those roses were very old. A bit of sleuthing led me to the fact that they were planted during the restoration, and they are “indeed quite perfumed.” For that and other reasons it is worth taking another look at that project, this time told by Olinda Adeane and with excellent photos by Simon Watson:
A mother-and-daughter design duo has taken an unconventional approach to the conversion of a sixteenth-century convent in Tuscany, filling the rooms with objects and artworks of their own making.
In the library, hand-coloured prints stand out against the white walls. SIMON WATSON
Henry James once described his friend Edith Wharton as a ‘great and glorious pendulum’ swinging back and forth across the Atlantic. In a similar fashion, Holly Lueders, a designer from New York, has returned to Greece every year since she first visited the country as an 18-year-old student. Holly grew up in a sleepy town in Missouri with little in the way of culture or local craft, but her family was artistic and good with their hands. ‘Anything we wanted, we made for ourselves,’ remembers Holly. She studied art history and archaeology at Columbia University and completed her studies in Athens. Continue reading →
Some of the crafts we carry seem museum quality to us, but we offer them in the context of commerce.
We would love to attend this show at the Smithsonian, primarily to see the work of Jessica Beels, whose work is showing in the Mixed Media and Paper section of the Show. Her website is full of reasons to see more of her work.
The company said the shoe, called Nomad, will be made from coffee waste and recycled bottles, while recycled polyester will be used to create the membrane to make the footwear waterproof. Photograph: c/o Rens
There is nothing particularly remarkable about the idea of using coffee bags a second time. But it was fun realizing how easy it is, and just doing it. Less easy and maybe lots more fun is the idea in the article below. Hats off to the creative founders who chose this path instead of chasing Silicon Valley unicorns (perhaps their success will demonstrate that unicorns thrive on a healthy planet, as expressed in this t-shirt I saw recently):
Seth’s photo of the view from the hill at Morgan’s Rock in Nicaragua
Today marks ten years since the first post on this platform. Seth’s description of a crab-eating little possum wandering by as he was reading, and a sloth-sighting together with two people visiting Nicaragua from the USA, reads like an entry in a travelogue. A later post about boarding down a volcano was the most viewed post of the first year.
Seth sandboarding down Volcán Cerro Negro in Nicaragua
A man named Baba Ramdev, a yoga guru, was on a hunger strike to protest corruption when Michael, a senior at Amherst College, landed in India to begin an internship
We’ve barely explored the darkest realm of the ocean. With rare-metal mining on the rise, we’re already destroying it.
By Elizabeth Kolbert
June 14, 2021
The International Seabed Authority is headquartered in Kingston, Jamaica, in a building that looks a bit like a prison and a bit like a Holiday Inn. The I.S.A., which has been described as “chronically overlooked” and is so obscure that even many Jamaicans don’t know it exists, has jurisdiction over roughly half the globe. Continue reading →
The Economist offers this brief thinkpiece on what to make of the recent uptick in interest in craft-made products (unless you are a subscriber to the magazine you will need to sign up for free limited access to the magazine’s website):
The market for artisan goods is likely to grow. But organised craft could lose its charm
In “THE REPAIR SHOP”, a British television series, carpenters, textile workers and mechanics mend family heirlooms that viewers have brought to their workshop. The fascination comes from watching them apply their craft to restore these keepsakes and the emotional appeal from the tears that follow when the owner is presented with the beautifully rendered result. Continue reading →
We studiously avoid politics, though we never hesitate to highlight policies we agree with and especially those we disagree with. But today, unlike any day since we started this platform in mid-2011, we cannot not notice that it is a politics-crazy day in the USA. So, we only go as far as noting that, and share what may be an antidote to the craze. The title says it all (click above).
The Brooklyn Film Society has been organizing the Brooklyn Film Festival for decades, providing a public forum for the local community to view an extraordinarily wide range of national and international films. Scheduled from May 29 – June 7th, the 23rd edition of the festival features 6 categories of films: Narrative Feature, Narrative Short, Documentary Feature, Documentary Short, Animation, and Experimental.
The primary difference from past editions is the venue… all the films will be available on line, free of charge. So sign up following this link – and enjoy!
Just a few months ago, nobody, not even the most daring sci-fi screenwriter, could have predicted the current situation and/or the extent of the COVID-19 takeover. Besides the fact that we are all still dealing with the basics and a resolutive approach feels still far away, one thing seems certain: we won’t be able to go back to the pre-virus thinking and lifestyle anytime soon. The fear of the “invisible danger” that threatens our life is radically modifying our own life routine and the way we deal with our neighbors. It is a “Turning Point” in history. It is a moment that will ultimately reveal who we are as human beings. The Brooklyn Film Festival, with its 2020 event, plans to highlight and dissect people’s character and problem solving attitude as it shifts from one time zone to the next. The international role BFF has always played on the world’s stage, will now come truly handy while with our film lineup we travel from one corner of the planet to another. “Turning Point” is about refreshing our own point of view. It’s about rethinking our old assumptions and learning from the people who share our screen whether they live in a different continent or across the street. “Turning Point” is about reinventing our planet and our life.
I visited the Nelson-Atkins many times in recent decades when visiting family in Kansas City. I never visited the Kansas City Zoo because, while I am grateful for the essential services zoos can provide, animals in captivity generally depress me. Our son Milo and his 3-year old daughter were in Kansas City just after Amie and I visited in late February. With grand/great grand-parents they visited both the Nelson-Atkins and the Kansas City Zoo. The zoo was a huge hit with our grand-daughter, and I am grateful to that zoo for her exposure to live animals she might never otherwise get to see.
I did not know before just now what exceptions might exist to my general rule of avoiding even images of wild animals in captivity. I have discovered one. I suppose on reflection I will probably change my mind, but for now I stand by the idea that the directors of these two institutions are doing their best in tough times to find creative solutions for everyone:
Kansas City Zoo executive director Randy Wisthoff says their Humboldt penguins have missed their regular interactions with zoo visitors, so a field trip was in order. Gabe Hopkins/The Nelson-Atkins Museum of Art.
Penguins were allowed to waddle through the galleries of Kansas City’s Nelson-Atkins Museum of Art. Both the museum and the Kansas City Zoo — home to the penguins — have been closed because of the pandemic. The Nelson-Atkins Museum of Art.
What a time to be a penguin.
First, a group of the flightless birds were recently allowed to roam the halls of Chicago’s Shedd Aquarium — a through-the-looking-glass moment if there ever was one.
The outing was arranged by The Nelson-Atkins Museum of Art in Kansas City, Mo., and the Kansas City Zoo. Both institutions are closed to the public because the pandemic.
“Quarantine has caused everyone to go a little stir-crazy, even the residents of the Kansas City Zoo. So several of the penguins decided to go on a field trip to the Nelson-Atkins, which is still closed, to get a little culture,” said a caption accompanying the video. Continue reading →
March 8, 2020 will remain a memorable date for me. I was walking down the mountain to pick up something from the store, and I came upon this gathering close the location where the feria happens in Escazu.
It will remain memorable because I was aware of the growing crisis in other parts of the world, but at this moment did not yet see it in perspective. Nor, on this lovely morning, did I have reason yet to think about family farms the way I am thinking about them today.
“Visible mending” has been taken up by those who want to protest fast fashion and disposable culture. It’s also thrifty.
Let’s put on a sew: Mended clothing at the Brooklyn offices of Ace & Jig, which sells it, along with patch kits. Amy Lombard for The New York Times
Only a few generations ago, socks were routinely darned, sweaters mended and pants patched. You could buy a sewing kit at any drugstore. Knowing how to use it was a mark of good housekeeping.
Kate Sekules, 58, remembers that world, in which the act of repairing clothes was integral to wearing them. “My mother was a dressmaker to the end of her life,” said Ms. Sekules, who grew up in England. “My mother just mended as a matter of course.”
Ms. Sekules has kept up that thrifty tradition. She started one of the earliest secondhand online clothing exchanges, Refashioner. She buys all of her clothes vintage and mends them all, including her husband’s moth-eaten sweaters. Continue reading →
It is commonplace belief that music from our youth influences our taste in music for the rest of life, and that no music ever displaces the favorite music of our late teens and early twenties (this is lore, admittedly, not science), so it makes sense that this same period of music acquisition can influence much more:
The environmental movement has largely failed to connect with people of color and marginalized urban communities. By confronting issues from contaminated water to climate change, hip hop music can help bridge that divide and bring home the realities of environmental injustice.
When I was diversity director at North Carolina State University, part of my job was to recruit young people — often from communities of color — into the College of Natural Resources. It could be a struggle; these were talented and creative kids, but often they didn’t see how environmental or sustainability issues were relevant to their lives. Continue reading →
Plastic has been on our radar for years, both as an environmental scourge and a raw material for the rising recycle and “upcycle” economy. Finding these creative uses for an ubiquitous waste material around the world has been inspiring, to say the least.
We hadn’t been familiar with the Precious Plastic model until we met the wonderful women from the Wagát Upcycling Lab. We applaud the community ethos of open source plans to address a global crisis.
There is something about EARTH University that produces some of the most creative entrepreneurs, whose work combines design, craftsmanship and social responsbility. We are happy to feature Mitica’s work in the shops for these reasons.