Burhans realized that the Church had lost track of its vast landholdings. Photograph by Isabel Magowan for The New Yorker
When I was a doctoral student I was introduced to geographic information systems. I became interested in how this tool might be of use in the hospitality industry. By the time I co-authored a second article about this, I already had my dissertation research focused on an entirely different topic, and I also had a job offer in Costa Rica to put that research to use. So, my GIS fascination was short-lived. But it was revived in the last couple of years as Seth focused his graduate school education on how to use this tool for land stewardship and natural resource management. So, reading this article by David Owen was a delight on multiple fronts. Foremost is the knowledge that the tool I found useful for business purposes has an equally powerful use for conservation:
The role of the cartographer, according to Molly Burhans, is not just data analytics. “It’s also storytelling,” she said. Photograph by Isabel Magowan for The New Yorker
In the summer of 2016, Molly Burhans, a twenty-six-year-old cartographer and environmentalist from Connecticut, spoke at a Catholic conference in Nairobi, and she took advantage of her modest travel stipend to book her return trip through Rome. When she arrived, she got a room in the cheapest youth hostel she could find, and began sending e-mails to Vatican officials, asking if they’d be willing to meet with her. She wanted to discuss a project she’d been working on for months: documenting the global landholdings of the Catholic Church. To her surprise, she received an appointment in the office of the Secretariat of State.
On the day of the meeting, she couldn’t find the entrance that she’d been told to use. She hadn’t bought a sim card for her phone, so she couldn’t call for help, and, in a panic, she ran almost all the way around Vatican City. The day was hot, and she was sweating. At last, she spotted a monk, and she asked him for directions. He gave her a funny look: the entrance was a few steps away. A pair of Swiss Guards, in their blue, red, and yellow striped uniforms, led her to an elevator. She took it to the third loggia of the Apostolic Palace, and walked down a long marble hallway. On the wall to her right were windows draped with gauzy curtains; to her left were enormous fresco maps, commissioned in the early sixteenth century, depicting the world as it was known then. Continue reading →
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