
The couple cynically stage-managed their Western exploits for propaganda value.
Illustration by Christian Northeast. Source images from Chronicle / Alamy (woman); Bettmann / Getty (man)
Adam Gopnik’s book review illustrates the roots of today’s Instagram culture, and the perils of posing:
Pioneers of American Publicity
How John and Jessie Frémont explored the frontiers of legend-making.
Legendary development can happen with astonishing speed after a life is past. Gore Vidal, in his 1992 novel, “Live from Golgotha,” made sport of the notion of television coverage of the Crucifixion, as the kind of thing that would happen only in contemporary America, but in truth Jesus’ body was hardly cold, or gone, before the apostle Paul, in a single generation, had made the desert rebbe into a demigod. The special American contribution to legend-making has not been speed so much as absolute simultaneity, with the life and the legend developing together. The American frontier, the Wild West, was not burnished and made epic in memory. It was made epic even as its very brief life was taking place. Buffalo Bill was only twenty-three when dime novels about him began to appear in New York, and early accounts of Billy the Kid’s life read “like a press agent’s yarn,” as one biographer says, because they were. Butch Cassidy and the Sundance Kid were robbing banks and posing for mock formal photographs all at the same time. This national truth remains constant even in our own time. The Apollo missions were genuine acts of daring—and were also, as everyone knew at the time, scripted television programming, with well-wrought lines delivered live. Continue reading


























