Library of American Landscape History has published this book, which came to our attention thanks to this excellent article (again) by Margaret Roach:
Three large islands at Storm King Art Center are planted with a mix of prairie grasses, including little bluestem, big bluestem, Indiangrass and switchgrass. Jerry L. Thompson
Darrel Morrison, the elder statesman of the ecological landscaping movement, offers some advice for gardening in a changing world.
Mr. Morrison’s mesic prairie design for the University of Wisconsin Arboretum Native Plant Garden, with the larger Curtis Prairie restoration in the distance. Robert Jaeger
Some gardeners react to any mention of ecological landscaping — the merging of environmental science and art — as if it were a compromise or concession meant to limit their creativity. Darrel Morrison, a landscape architect who has been practicing and teaching this philosophy for some five decades, begs to differ.
“There is the implication that you are suggesting a vegan diet,” said Mr. Morrison, the creator of influential designs at Storm King Art Center, in Orange County, N.Y., the Brooklyn Botanic Garden and the Lady Bird Johnson Wildflower Center in Austin, Texas. “A lot of people, when they hear a phrase like ‘ecologically sound landscaping,’ they think they are giving up something. But they are not — it only enhances the experience.” Continue reading
A construction site in Vaxjo, Sweden, using prefabricated cross-laminated timber panels that are assembled on-site. Gabriel Leigh
In previous centuries building with wood was the norm, and then safety and efficiency considerations stopped the practice. Now, climate change and other considerations are turning the tide back in favor of building with wood. Counterintuitive at first–climate change is in part a function of deforestation, and reforestation is considered part of the solution–reading this article gives the perspective needed to get your intuition reoriented. Thanks to Gabriel Leigh and the New York Times for this:
A rendering of the completed Stockholm complex, dubbed Cederhusen, or Cedar House. General Architecture
VAXJO, Sweden — Stockholm and its suburbs are filled with construction cranes these days, reflecting a growing population combined with a housing shortage. But few of its developments are as extensive as Hagastaden, just to the north of central Stockholm where it meets the neighboring municipality of Solna.
Here, it looks as if an entirely new city is being built. Continue reading
The number of urban trees is shrinking due to storms, construction and insects: at the moment, the US is facing a projected loss of 8.3% in urban tree cover by 2060. Photograph: Mary Altaffer/AP
Regardless of the viability of tree-planting as a solution to climate change, the need for more trees in some locations is overwhelming:
First ever nationwide tally of trees reveals how communities of color and poorer neighborhoods lack canopy
With vast swathes of the American west baking under a record-setting heatwave, a new study has revealed how unevenly trees are spread throughout cities in the United States and how much it disadvantages communities of color and the poor. Continue reading
Ietef “DJ Cavem Moetavation” Vita plants seeds with daughter Libya LeaDonvita in the garden at their home outside Denver. Vita is among a growing list of Black gardening enthusiasts-turned-entrepreneurs across the country who’ve launched seed businesses during the pandemic-inspired gardening boom. Rachel Woolf for KHN
Urban farming was an early and has been a frequent topic on this platform, and we have covered it from multiple angles and elevations. In the last year we have focused on a few acres of urbanized land to regenerate bird habitat. So when I scan daily for a story to share, this has been a top-of-mind topic for years. Thanks to National Public Radio (USA) for another:
Vita, a vegan rapper, wants to encourage people of color to eat healthier by growing their own vegetables. He sells his own line of kale, beet and arugula seeds. Rachel Woolf for KHN
Ietef Vita had planned to spend most of 2020 on the road, promoting Biomimicz, the album he had released on his #plantbasedrecords label in January. But the pandemic cut those plans short, says Vita, known to his fans as “DJ Cavem Moetavation” and “Chef Ietef.”
He was playing in Berkeley, Calif., on Feb. 29, and “literally got out of town right before they shut the whole country down,” recalls the 34-year-old vegan rapper, who has performed for the Obamas and is known as the father of eco-hip-hop. “It was scary.”
Suddenly sidelined at his metro Denver home with his wife, Alkemia Earth, a plant-based lifestyle coach, and three daughters, Vita struggled to pivot. Eventually, he accepted that he would need to stay put and, as the saying goes, bloom where he was planted.
Vita has mailed out more than 20,000 packets of his kale, beet and arugula seeds to urban farmers across the country. Rachel Woolf for KHN
He and his wife launched an impromptu campaign: mailing out thousands of the more than 42,000 packets of kale, beets and arugula seeds that he’d planned to sell at his shows, all emblazoned with his likeness and the QR code to hear his digital album. Continue reading
UNITED STATES – March 30: Visitors gather to watch the sunrise under blooming Japanese cherry blossom trees along the Tidal Basin in Washington on Tuesday, March 30, 2021. The 2021 National Cherry Blossom Festival commemorates the original gift of 3,000 cherry trees from the city of Tokyo to the people of Washington in 1912. (Photo by Caroline Brehman/CQ-Roll Call, Inc via Getty Images)
In Washington, D.C. the cherry blossoms came early this year. Plenty was said, including on Texas Public Radio, about the implications related to climate change. Elizabeth Kolbert has this to say, pivoting from cherry blossoms to both environmental and economic policies in the USA:
A crowd hoping to see a snowy owl gathered at the reservoir in Central Park. Some birders complain that large groups can disturb rare species. Dave Sanders for The New York Times
You do not need to be a bird nerd to appreciate that an avocation like this one needs some rules of the game, especially at moments like these, which seem to come around every few years:
A Twitter account helped spread the word about rare birds in New York City, but publicizing their locations exposed a rift among birders.
A barred owl, whose visit to Central Park has been promoted by some birders, including one who maintains the popular Twitter account Manhattan Bird Alert. Dave Sanders for The New York Times
In 2018 it was the Mandarin duck. Last October it was the barred owl. Just weeks ago it was the snowy owl.
All three avian species catapulted to celebrity status after they landed in Central Park, becoming the subject of news reports from Manhattan to India and attracting gaggles of groupies, snapping away on their smartphones.
These rare glimpses of nature in the heart of New York elicit a dose of joy in the best of times. Continue reading
The Biden Administration’s next few weeks may decide the fate of the remote Yaak Valley, on Montana’s Canadian border. Photograph by John Lambing / Alamy
Bill McKibben’s weekly newsletter, as usual, has gems worthy of attention, and the fate of the Yaak Valley qualifies:
The blizzard of federal climate initiatives last week (a blizzard that might help allow actual blizzards to persist into the future) is without precedent. For the first time in the thirty-plus years of our awareness of the climate crisis, Washington roused itself to urgent action; veterans of the cautious Obama Administration—the domestic climate adviser Gina McCarthy and the global climate czar John Kerry chief among them—were suddenly going for broke. In fact, only one branch of the Cabinet seemed conspicuous by its muted presence: the Department of Agriculture, which has responsibility for the nation’s farms and for many of its forests—that is, for the natural features that will either speed or slow the flow of carbon into the atmosphere. Continue reading
The image to the left is surely evocative for different people in different ways. I cannot see it without flashbacks to what that same spot looked and smelled and sounded like in 1987. It was a peculiar moment in time; I’ll leave it at that. This rendering reaches me just after seeing images of Penn Station’s recent renovation, which itself got me thinking about unique solutions to different kinds of urban challenges. In that case the interior was the thing. For cities where there is too much built space and traffic, greening of arteries is the thing. Also coincidental was last week’s news about the plan for the neighborhood where our sons attended school during the 2003-2004 academic year, which reaffirms my sense that good ideas are infectious.
Those news from New York and from Paris transported me to a very different urban space where we lived and worked for seven years. The image above and the title screen to the right both serve well to evoke an idea that was generated in one of India’s best preserved colonial harbor neighborhoods. Just prior to opening this property
in that neighborhood we hosted four young creative professionals from Europe and the USA, two authors and two architects. One of the architects had recently completed work on our then-favorite model of urban re-utilization
I stood with him on a rooftop overlooking the spice-trading on the street where our hotel was under construction. We had a breezy conversation about how this space might be made more accessible, and I commented on this neighborhood needing an urban design that, like the repurposing of two crumbling spice warehouses into our hotel would be respectful of history while not a slave to it. And the next day he disappeared, as guests do, but the idea is still out there, gestating, and in my hazy memory looks something like this image below.
“Envisioning Union Square’s Vibrant North Plaza” – Watercolor by Guido Hartray
Not the specifics, of course. But this dream-like watercolor rendering of Union Square Park’s future layout is a perfect reminder of that rooftop conversation about how Mattacherry might one day be a more effective version of its already awesome self. Carolyn McShea has posted this research note about the Union Square initiative on the website of Marvel Architects:
Union Square is famous for its rich activist history, successful Business Improvement District (BID) and 24/7 residential-commercial community that is also home to some of the city’s iconic buildings that have reached National Historic Landmark status. 14th Street is considered as a commercial corridor for New Yorkers and key cross-town thoroughfare. Continue reading
The redesigned Champs-Élysées extends (top right) from the Arc de Triomphe in Paris, as envisioned by architects at PCA-Stream. PCA-STREAM
Anne Hidalgo has been featured in our pages several times for greening her city, and now this:
An artist’s impression of the redesigned Arc de Triomphe, at the end of Paris’ iconic Champs-Élysées avenue, prepared by architects PCA-Stream under commission by the Paris mayor’s office. PCA-STREAM
Paris — Mayor Anne Hidalgo has confirmed that ambitious plans to transform Paris’ Champs-Élysées, the iconic avenue in the heart of the French capital, are still on the table. Her initiative will see the avenue with fewer car lanes, more room for pedestrians and much more greenery.
Often dubbed “the most beautiful avenue in the world,” the Champs-Élysées has gone three decades without a major overhaul, and many Parisians believe it looks tired and a lot less sophisticated than it used to. Continue reading
What the Broadmarsh area of central Nottingham could look like if the Wildlife Trust’s ambitious post-Covid wildscape plan gets the go-ahead. Photograph: The Wildlife Trusts
When we’ve written about rewilding on this site before we usually are referring to bringing wildlife back into a landscape that had lost it for decades, if not centuries. This Nottingham project has precedent in terms of plans to transform an urban eyesore into public space that is welcoming to both biodiversity of fauna and flora, and the people who will benefit from taking pleasure in it.
Thanks to the Guardian for highlighting the story. We look forward to reading about the finished project!
An additional Public Service Announcement: If you like this story the Nottingham Wildlife Trust has an ongoing petition to help make this project a reality. Please feel free to follow the link and add your name. Being local to Nottingham is not required.
An empty 1970s shopping centre in Nottingham could be transformed into wetlands, pocket woodlands and a wildflower meadow as part of a post-pandemic urban rewilding project.
The debate about Broadmarsh shopping centre, considered an eyesore by many, has rumbled on for years. This year it was undergoing a £86m revamp by real estate investment trust Intu when the firm went into administration.
The number of empty shops on UK high streets has risen to its highest level in six years, and as retail giants such as Debenhams and Arcadia Group falter, Nottinghamshire Wildlife Trust has come up with a new model of inner city regeneration: urban rewilding.
The trust wants to bulldoze the already half-demolished Broadmarsh building and turn it into 2.5 hectares (6 acres) of scruffy green space at an estimated cost of £3-4m. The designs were created with Influence Landscape Architects and could set a precedent for what to do with the growing amount of vacant retail space in other cities. “It’s unbelievable to hear that stores like Debenhams are in the position they are in – they’re stalwarts of the city, but it does put out an opportunity,” said Sara Boland, managing director of Influence. Continue reading
Barry’s fans, in the North Woods of Central Park. Dave Sanders for The New York Times
Two years ago when a mandarin duck caught the attention of New Yorkers, and others with avian interests, I was struck by the diversionary value. Now, even more than then, winged diversion is welcome. This one provided me a diversion within a diversion. A sculpture dedicated on a Greek island more than two thousand years ago honored a victory, and the sculptor chose the goddess of victory to represent that honor. At that time, the goddess was always depicted with wings. If victory has been on your mind lately, you might see this owl as a harbinger.
Barry the Barred Owl is New York City’s bird of the moment. Dave Sanders for The New York Times
That’s up to you. Even without thinking of victory, a good owl photo is always a welcome diversion. The photograph by Joshua Kristal (click the image below to go to his Instagram feed) is particularly well composed. My thanks to Lisa M. Collins for this story:
New Yorkers are so obsessed with Barry the barred owl that some are concerned he could be scared away. So far, he seems to like the attention.
Joshua Kristal finally got to see (and photograph) Barry during a Birding Bob night tour through Central Park earlier this month. Joshua Kristal
It was late afternoon in the North Woods of Central Park, and the sun was setting fast. Joshua Kristal, a photographer with a penchant for birds, was starting to feel despondent as he searched along the creek, looking for any movement. This was the third time he’d traveled more than an hour from Brooklyn to see Manhattan’s newest celebrity bird: an ethereal and majestic barred owl.
Currently known as Barry, the owl has intense black eyes and elegant poufs of white feathers streaked with brown and gray. He looks like a perfect stuffed animal from a high-end toy store. But Barry is also unusual. Though owls are typically nocturnal, he makes regular daytime appearances, and has become something of a performer. Practically vogueing, he stares, preens and swoops into the shallow stream to wash and flick his feathers. Barry will turn his head 270 degrees right and left and up above to check for his archenemy, the hawk. He plucks chipmunks with his talons and devours them, seemingly unfazed by adoring fans and the paparazzi, many of whom have already made him Instagram-famous. Continue reading
A Civilian Conservation Corps enrollee planting a tree circa 1938. Fotosearch/Getty Images
Thanks to Collin O’Mararough, president and C.E.O. of the National Wildlife Federation, for his idea about how to employ some of the unemployed. Deploy them. Planting trees is not sufficient to solve the looming crisis of climate change, but it is a start:
The Depression-era Civilian Conservation Corps helped build America at a time of national crisis. Let’s do it again.
Nearly 7.7 million American workers younger than 30 are now unemployed and three million dropped out of the labor force in the past month. Combined that’s nearly one in three young workers, by far the highest rate since the country started tracking unemployment by age in 1948.
Nearly 40 percent worked in the devastated retail and food service sectors. And as the most recently hired, young workers are typically the first let go and often the last rehired, especially those of color.
As our country’s leaders consider a range of solutions to address this crisis, there’s one fix that will put millions of young Americans directly to work: a 21st-century version of the Civilian Conservation Corps.
In 1933, when President Franklin Roosevelt created the C.C.C., he was facing, as we are today, the possibility of a lost generation of young people. The conservation-minded president’s idea was to hire young unemployed men for projects in forestry, soil conservation and recreation. By 1942, the 3.4 million participants in “Roosevelt’s Tree Army” had planted more than three billion trees, built hundreds of parks and wildlife refuges and completed thousands of miles of trails and roads.
A bee hotel, part of Curridabat’s drive to welcome and protect pollinators. Photograph: Courtesy of Curridabat Municipality
Costa Rica is full of inspirational stories, some big picture and some more granular. Bee hotels are an example of the latter, and first came to my attention only this year. On a farm north of San Jose growing edible flowers, and then again on a cacao plantation in the Central Pacific zone where we source our line of Macaw Kakau chocolates–in both cases the “hotels” were specifically for melipona bees. Thanks to the Guardian for putting some due attention on this forward-thinking municipality across the city from where I live and work, and especially for the reminder that I have not posted yet on the apicultural wonders I learned about at those two melipona bee hotels:
A suburb of the country’s capital is showing how urban planning can be harnessed to benefit both humans and wildlife
‘Biocorridors improve air quality, water quality and give people spaces to relax, have fun and improve their health,’ says Magalli Castro Álvarez. Photograph: Melissa Alvarez/Courtesy of GIZ/Biodiver_City Project
“Pollinators were the key,” says Edgar Mora, reflecting on the decision to recognise every bee, bat, hummingbird and butterfly as a citizen of Curridabat during his 12-year spell as mayor.
“Pollinators are the consultants of the natural world, supreme reproducers and they don’t charge for it. The plan to convert every street into a biocorridor and every neighbourhood into an ecosystem required a relationship with them.”
The move to extend citizenship to pollinators, trees and native plants in Curridabat has been crucial to the municipality’s transformation from an unremarkable suburb of the Costa Rican capital, San José, into a pioneering haven for urban wildlife. Continue reading
The Strade Aperte plan includes temporary cycle lanes and 30kph speed limits. Photograph: Stefano De Grandis/REX/Shutterstock
Looking for silver linings during the current times isn’t always easy, but reviewing how cities strategize over plans to open economies while keeping the public safe is a possible place to start. (It can also be a source of discouragement, so we’re glad to highlight the enlightened…)
In Milan the concept of pivoting toward carbon-free commuting within the city was a far-reaching goal for a future decade. The current crisis has helped to create a thought shift toward action now.
Seriously working on solutions to both the health crisis and climate crisis together could be a silver lining, indeed.
Milan is to introduce one of Europe’s most ambitious schemes reallocating street space from cars to cycling and walking, in response to the coronavirus crisis.
The northern Italian city and surrounding Lombardy region are among Europe’s most polluted, and have also been especially hard hit by the Covid-19 outbreak.
Under the nationwide lockdown, motor traffic congestion has dropped by 30-75%, and air pollution with it. City officials hope to fend off a resurgence in car use as residents return to work looking to avoid busy public transport.
The city has announced that 35km (22 miles) of streets will be transformed over the summer, with a rapid, experimental citywide expansion of cycling and walking space to protect residents as Covid-19 restrictions are lifted.
The Strade Aperte plan, announced on Tuesday, includes low-cost temporary cycle lanes, new and widened pavements, 30kph (20mph) speed limits, and pedestrian and cyclist priority streets. The locations include a low traffic neighbourhood on the site of the former Lazzaretto, a refuge for victims of plague epidemics in the 15th and 16th centuries. Continue reading
“How do we feed the nine billion?” Fiennes said. “Through functioning ecosystems.” Photograph by Siân Davey for The New Yorker
The title of this post, paraphrasing the subject of the profile below, states the obvious. Sometimes, that must be. Thank you, Sam Knight:
One day last summer, Jake Fiennes was lost in a cloud of butterflies. He was on a woodland path near Holkham Beach, on the north coast of Norfolk. Every decade or so, ten million painted-lady butterflies, which are orange, black, and white, migrate to Britain from tropical Africa. The hot summer meant that it was a bumper year for native species, too, and the painted ladies mingled with red admirals, peacocks, and common blues, feeding on bushes set back a few yards from the path. “Just sat in a haze of flittering, fluttering butterflies,” Fiennes told me later. “I was in awe. These flowers were just exploding.” Continue reading
Winnie Au for The New York Times
We occasionally hail architecture, and frequently hail libraries as essential to our shared humanity, and when we get the chance to hail both at the same time, the world seems in good order:
The Hunters Point Community Library is one of the finest public buildings New York has produced this century. But it cost more than $40 million, took a decade and almost died.
The canyon-like lobby entrance of Hunters Point Community Library. Winnie Au for The New York Times
Against a phalanx of mostly dreary new apartment towers, the soon-to-open Hunters Point Community Library by Steven Holl Architects is a diva parading along the East River in Queens, south of the famous Pepsi sign. With its sculptured geometry — a playful advertisement for itself — it’s even a little like the Pepsi sign.
Compact, at 22,000 square feet and 82 feet high, the library is among the finest and most uplifting public buildings New York has produced so far this century.
Winnie Au for The New York Times
It also cost something north of $40 million and took forever to complete. So it raises the question: Why can’t New York build more things like this, faster and cheaper?
The library is full of nooks and corners, illuminated by big windows with sculptured walls covered in bamboo.Credit Winnie Au for The New York Times
Opening Sept. 24, Hunters Point is surely what Queens Library officials and the borough’s former president, Helen M. Marshall, had in mind when the project was proposed more than 15 years ago: a crown jewel among Queens branches, at a singular, symbolic spot facing the United Nations and Louis Kahn’s exalted Four Freedoms Park across the water. Continue reading
Ten years ago I was in Tirana and if I squinted I might have seen this article coming. I was working on a project for the United Nations Development Programme, focused on the Prespa Lakes Basin, and the visits in Tirana were like a time warp. In a good way, as it is now more easy to see:
In the Albanian capital of Tirana, the country’s strange history and bright future collide.
The paneled facade of the Plaza Tirana. Federico Ciamei
Over the past five years, Albania has been discovered by travelers as that rare thing: a largely unexplored corner of Europe (one with some 265 miles of coastline). The small Balkan country sits just across the Adriatic and Ionian seas from Italy’s heel and a mere 45-minute ferry ride away from the Greek island of Corfu. It’s recently gotten its first high-end waterside resorts, and as the beach town of Sarande and the seaside city of Vlore have become more comfortable, so too has Tirana — the country’s capital, about 22 miles inland with a population of over half a million — grown more cosmopolitan, with new restaurants, shops and galleries joining the almost surrealist pastiche of testaments to the city’s past. For a good example of the way eras collide in Tirana, just visit Skanderbeg Square, recently renovated with new fountains and rosy granite paving, and home to an 18th-century mosque and minaret, a domed Albanian Orthodox church opened in 2012, a set of government buildings that echo the fascist architecture of Mussolini’s Italy and a Brutalist monolith that houses the National Historical Museum.
Initially settled by Illyrian and Greek tribes during ancient times, Albania spent over four centuries as part of the Ottoman Empire. After 1912, it became a fascist-leaning monarchy, and then, in the wake of World War II, a Communist state ruled by the infamous dictator Enver Hoxha. In 1991, a full year behind many of its Eastern Bloc neighbors, the country saw its first democratic elections, as well as murmurings of a cultural awakening. Tirana may not have a robust avant-garde scene, but it does have a gritty, iconoclastic edge — the Pyramid, a large monument to Hoxha in the center of town, is now popular with skateboarders — and a joie de vivre that’s enticed many former expats. “There’s so much potential,” says Flori Uka, a local winemaker who trained in northeastern Italy and now specializes in vintages made from organic Kallmet grapes grown just outside the city. “We were isolated for so long, but today it’s possible for creative people to do what they love. The place has become very receptive to the new.” Continue reading
A set of pink seesaws allowed people to share some fun along the U.S.-Mexico border wall this week. Here, a woman helps her little girls ride the seesaw that was installed near Ciudad de Juarez, Mexico. Christian Chavez/AP
Despite being a few days late within the news cycle, this story deserves to be highlighted. In fact, in face of the bombardment of negatives along the border, we’d say it’s imperative to keep the power of joy as a constant point of reference.
A stretch of the border wall between the U.S. and Mexico was adorned with a set of pink see-saws this week — allowing children (and grownups) to play together across the barrier. The event was “filled with joy, excitement, and togetherness,” says architect Ronald Rael, a leader of the project.
The seesaws were installed on Sunday, when their steel beams were eased through the slats of the tall fence that divides Sunland Park, N.M., from Colonia Anapra — a community on the western side of Ciudad Juárez in Mexico.
“Everyone was very happy and excited to engage the seesaws,” Rael says via email, describing the mood at Sunday’s event. And while he admits to being a little nervous about the completion of a project that had been brewing for 10 years, he says it went off without a hitch.
“It was peaceful and fun — a day at a park for the children and mothers of Anapra,” Rael says.
The seesaws were created by Rael and fellow architect Virginia San Fratello; the two are partners in a design firm. By installing playground toys, they sought to tweak the meaning of a border fence. Continue reading
The bamboo dome “had even more useful structural properties than I had envisaged,” Ms. Martin said. “Deployability, nice structural stability and highly portable.”Credit Gabriela Portilho for The New York Times
Limits often lead to creative solutions. That’s exactly what is happening in Brazil. Alison Martin is pushing the limits of what can be built from weaving bamboo and is helping to create more natural cityscapes. She is surprising even the computer engineers with the strength and shapes of her material, all without the use of nuts and bolts. This is a new way of combining nature and architecture. Her work is also helping to solve some of the problems created by elevated highways. These highways block out the sun and create “a fracture in the urban environment”.
With designer and artist Alison Grace Martin, architects and engineers are embracing “the logic of the weave.”
SÃO PAULO, Brazil — On a Tuesday afternoon in early July, Alison Grace Martin, the British artist and weaver, joined a steady stream of Paulistanos along the elevated freeway that curves through downtown São Paulo. The two-mile “Minhocão” (named after a mythic “gigantic earthworm”) was closed to cars that day. The only traffic was on foot and bikes, skateboards and scooters. Picnickers lounged on the median sipping wine. Children ran after soccer balls. A retriever chased a coconut; a pit bull peed on a pile of bamboo.
The bamboo — freshly cut and split into strips about 20 feet long — had arrived with Ms. Martin and engineer James Solly, who were leading an urban design workshop, “High Line Paulista,” inspired loosely by Manhattan’s elevated greenway. Their students for the week had carried the strips, which would be put to use in an experimental dome construction, like a barn-raising, but with bamboo.
Plans have long been in the works to turn the Minhocão into a park. Since its opening in 1971, the freeway has been the subject of controversy: a concrete scar that bifurcated neighborhoods, smothering residents with noise and pollution.
“It ripped apart the urban fabric,” said Franklin Lee, from São Paulo, and director of the workshop with his partner Anne Save de Beaurecueil. (The workshop is part of the Architectural Association international visiting school program.) In January, after years of discourse and debate, the mayor, Bruno Covas, announced that the freeway would eventually be deactivated, finally making way for “Parque Minhocão.”
Hortus Botanicus in Amsterdam. CreditKaren Massier/E+, via Getty Images
Being a daily reader of the NYTimes it’s surprising that I missed the publication of this posthumous essay by neurologist and author Dr. Oliver Sacks, who died in 2015. This is especially notable related to biophilia, a subject that means a great deal to all of us on this site, in fact, as Dr. Sacks states, it is an essential part of the human condition.
Even for people who are deeply disabled neurologically, nature can be more powerful than any medication.
This is an excerpt from “Everything in Its Place,” a posthumous collection of writings by Dr. Sacks.
As a writer, I find gardens essential to the creative process; as a physician, I take my patients to gardens whenever possible. All of us have had the experience of wandering through a lush garden or a timeless desert, walking by a river or an ocean, or climbing a mountain and finding ourselves simultaneously calmed and reinvigorated, engaged in mind, refreshed in body and spirit. The importance of these physiological states on individual and community health is fundamental and wide-ranging. In 40 years of medical practice, I have found only two types of non-pharmaceutical “therapy” to be vitally important for patients with chronic neurological diseases: music and gardens.
The wonder of gardens was introduced to me very early, before the war, when my mother or Auntie Len would take me to the great botanical garden at Kew. We had common ferns in our garden, but not the gold and silver ferns, the water ferns, the filmy ferns, the tree ferns I first saw at Kew. It was at Kew that I saw the gigantic leaf of the great Amazon water lily, Victoria regia, and like many children of my era, I was sat upon one of these giant lily pads as a baby.
As a student at Oxford, I discovered with delight a very different garden — the Oxford Botanic Garden, one of the first walled gardens established in Europe. It pleased me to think that Boyle, Hooke, Willis and other Oxford figures might have walked and meditated there in the 17th century.
I try to visit botanical gardens wherever I travel, seeing them as reflections of their times and cultures, no less than living museums or libraries of plants.